{"id":3071,"date":"2016-09-14T21:58:50","date_gmt":"2016-09-14T19:58:50","guid":{"rendered":"https:\/\/www.drama-panorama.com\/en\/?p=3071"},"modified":"2016-09-14T21:58:50","modified_gmt":"2016-09-14T19:58:50","slug":"translating-theatre-foreignisation-on-stage","status":"publish","type":"post","link":"https:\/\/www.drama-panorama.com\/en\/2016\/09\/14\/translating-theatre-foreignisation-on-stage\/","title":{"rendered":"TRANSLATING THEATRE: \u2018FOREIGNISATION\u2019 ON STAGE"},"content":{"rendered":"
Registration open for ‘Translating Theatre’ symposium, London<\/span><\/span><\/div>\n
\n

21st October 2016<\/span><\/span><\/p>\n

REGISTRATION NOW OPEN FOR<\/p>\n

TRANSLATING THEATRE: \u2018FOREIGNISATION\u2019 ON STAGE<\/p>\n

Europe House, London, 21st October 2016<\/p>\n

Booking is free but places are limited:
\nhttps:\/\/www.eventbrite.co.uk\/e\/translating-theatre-foreignisation-on-stage-symposium-tickets-27436207435<\/a><\/p>\n

Dear friends and colleagues,<\/p>\n

Registration is now open for Translating Theatre: \u2018Foreignisation\u2019 on Stage, a one-day symposium bringing together scholars from theatre and performance, literature and translation studies to reflect on the ethics and practice of translating for the stage.<\/p>\n

The symposium is part of the AHRC-funded Leadership Fellowship project \u2018Translation, Adaptation, Otherness: \u201cForeignisation\u201d in Theatre Practice\u2019. Headed by Dr Margherita Laera (University of Kent), the project aims to engage scholars, students, audiences and professionals in a wider debate on translation for the stage. In June and July 2016, we presented three staged readings of \u2018foreignised\u2019 plays, which were the result of practice-as-research workshops, at London\u2019s Gate Theatre. We are now in the process of editing a 30-minute documentary of that experience, which will be screened for the first time at the symposium.<\/p>\n

For this one-day conference, the project opens its doors to the international scholarly and theatre-making communities to further the debate in our discipline about the ethical responsibilities of translation in contemporary theatre cultures within and beyond the UK.<\/p>\n<\/div>\n

As well as documentation and reflection on the first research cycle of the project, the event includes a number of papers and interventions from UK-based and international scholars and artists tackling the complex ideological, aesthetic, political, ethical and technical questions underpinning translation for the stage. The symposium promises to be a rich day of provocations and conversations, featuring a keynote lecture from Prof. Sirrku Aaltonen (Vaasa) and a round table with Prof. Carole-Anne Upton (Middlesex), Prof. Catherine Boyle (King\u2019s College London), Prof. Adam Vers\u00e9niy (North Carolina) and Chris Campbell (Royal Court Theatre). <\/span><\/span><\/span>Please scroll down to see the preliminary programme for the symposium.Full programme details and schedule will be circulated to this mailing list later in September. Please also refer to www.translatingtheatre.com<\/a> for further information and updates, or follow us on Facebook
\n(www.facebook.com\/groups\/translatingtheatre<\/a>) and Twitter (@translatheatre).<\/p>\n

The event is free but places are limited. Coffee, lunch and drinks reception will be served.<\/p>\n

For any enquiries please feel free to contact Dr Flora Pitrolo (f.pitrolo@kent.ac.uk<\/a>) and Dr Margherita Laera (m.laera@kent.ac.uk<\/a>).<\/p>\n

We hope you\u2019ll be able to join us.<\/p>\n

Yours,<\/p>\n

Flora<\/p>\n

\u2014\u2014\u2014\u2014<\/p>\n

Translating Theatre: \u2018Foreignisation\u2019 on Stage | Symposium
\nEurope House, London, October 21st 2016, 9.15-19.30<\/p>\n

Preliminary Programme<\/p>\n

*\u00a0 \u00a0 8.45-9.15 Registration and coffee<\/p>\n

*\u00a0 \u00a0 9.15-10.15 Keynote + Q&A: Sirkku Aaltonen (Vaasa): Language – Identity – Recognition. Social (In)Equality on Stage.<\/p>\n

*\u00a0 \u00a010.15-10.45 Tea<\/p>\n

*\u00a0 \u00a010.45-12.15 Plenary session 1<\/p>\n

*\u00a0 \u00a0Monica Centanni (IUAV, Venice): Translating Greek drama for the modern stage
\n*\u00a0 \u00a0Roger Owen (Aberystwyth): Y Brenin Ll\u0177r: W. J. Gruffydd\u2019s adaptation of Shakespeare\u2019s King Lear (1949)
\n*\u00a0 \u00a0Valerie Pellatt (Newcastle): Does foreignization in translation of Chinese drama become auto-orientalism and perpetuate stereotypes, and how does foreignization assist or impede the process of conveying drama to a non-Chinese audience?
\n*\u00a0 \u00a012.15-1.00. Translation Adaptation Otherness session:
\nDocumentary Film (25\u2019) about Translating Theatre: Foreignisation in Theatre Practice, followed by discussion with Margherita Laera (Kent) in conversation with project translators K\u00e9lina Gotman (King\u2019s College London), Aneta Mancewicz (Kingston) and Bryce Lease (Royal Holloway)<\/p>\n

*\u00a0 \u00a01.00-1.45 Lunch<\/p>\n

*\u00a0 \u00a01.45-3.15 Parallel sessions<\/p>\n

*\u00a0 \u00a0Parallel session 1:
\n*\u00a0 \u00a0Suat Karantay (Yeditepe Istanbul): (Title TBC)
\n*\u00a0 \u00a0Josef\u00edna Zub\u00e1kov\u00e1 (Palack\u00fd Olomouc): Theatre Translation in the Czech Republic
\n*\u00a0 \u00a0Mary Ann Vargas (King\u2019s College London): The Captive – a proposition for an intervention
\n*\u00a0 \u00a0Sarah Grunnah (Oxford): Foreignising Gender: Spanish Golden Age Women on the Contemporary Stage<\/p>\n

*\u00a0 \u00a0Parallel session 2:
\n*\u00a0 \u00a0Kate Eaton (Independent Scholar and Translator): \u2018The Darkness of the Stage\u2019: a Provocation
\n*\u00a0 \u00a0Szilvia Naray-Davey (Salford): Musical score as foreignising translation strategy in contemporary drama translation
\n*\u00a0 \u00a0Atar Hadari (Liverpool Hope): The Songs of \u201948
\n*\u00a0 \u00a0Laura MacDonald (Portsmouth): Deutsch, Nihongo, Hangugeo, Hanyu, and all that jazz: Producing foreign musicals in Germany, Austria, Japan, South Korea, and China<\/p>\n

*\u00a0 \u00a03.15-3.45 Tea<\/p>\n

*\u00a0 \u00a03.45-5.15 Plenary session 2:<\/p>\n

*\u00a0 \u00a0Daniela Sacco (IUAV, Venice): Quotation as a technique of \u2018foreignisation\u2019.
\n*\u00a0 \u00a0Jozefina Komporaly (University of the Arts): Staging Otherness: Dialogic Translation as a Form of Resistance
\n*\u00a0 \u00a0Kasia Lech (Canterbury Christ Church): Translating Conflict into The Wedding: Rados\u0142aw Rychcik\u2019s staging of Stanis\u0142aw Wyspia\u0144ski\u2019s Wesele [The Wedding] as a foreignized translation
\n*\u00a0 \u00a05.15-6.45 Discussion & Responses:\u00a0 Closing Remarks: a round table with Catherine Boyle (King\u2019s College London), Chris Campbell (Royal Court), Carole-Anne Upton (Middlesex), Adam Vers\u00e9nyi (North
\nCarolina)<\/p>\n

* 6.45-7.30 Drinks reception<\/p>\n

Dr Flora Pitrolo
\nResearch Associate | Translation, Adaptation, Otherness<\/a> | Playing Identities, Performing Heritage<\/a>
\nMember | European Theatre Research Network<\/a>
\nSchool of Arts | Theatre and Drama<\/p>\n<\/div>\n

University of Kent
\nhttps:\/\/www.kent.ac.uk\/arts\/staff-profiles\/drama\/pitrolo.html<\/a>
\n<\/span><\/span><\/div>\n","protected":false},"excerpt":{"rendered":"

Registration open for ‘Translating Theatre’ symposium, London 21st October 2016 REGISTRATION NOW OPEN FOR TRANSLATING THEATRE: \u2018FOREIGNISATION\u2019 ON STAGE Europe House, London, 21st October 2016 Booking is free but places are limited: https:\/\/www.eventbrite.co.uk\/e\/translating-theatre-foreignisation-on-stage-symposium-tickets-27436207435 Dear friends and colleagues, Registration is now open for Translating Theatre: \u2018Foreignisation\u2019… Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":3074,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[8],"tags":[1738,1744,1743,1748,1753,1739,1733,1749,1746,1752,1741,1745,1737,1750,1751,1735,1740,1747,1382,1736,1473,1734,1742],"class_list":["post-3071","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-veranstaltung-2-en","tag-aaltonen","tag-boyle","tag-campbell","tag-daniela","tag-eaton","tag-flora","tag-foreignisation","tag-hadari","tag-kasia","tag-kate","tag-kent","tag-lech","tag-london","tag-macdonald","tag-naray-davey","tag-otherness","tag-pitrolo","tag-sacco","tag-stage","tag-symposium","tag-theatre-en","tag-translating","tag-versenyi"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.drama-panorama.com\/en\/wp-json\/wp\/v2\/posts\/3071","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.drama-panorama.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.drama-panorama.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.drama-panorama.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.drama-panorama.com\/en\/wp-json\/wp\/v2\/comments?post=3071"}],"version-history":[{"count":0,"href":"https:\/\/www.drama-panorama.com\/en\/wp-json\/wp\/v2\/posts\/3071\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.drama-panorama.com\/en\/wp-json\/wp\/v2\/media\/3074"}],"wp:attachment":[{"href":"https:\/\/www.drama-panorama.com\/en\/wp-json\/wp\/v2\/media?parent=3071"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.drama-panorama.com\/en\/wp-json\/wp\/v2\/categories?post=3071"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.drama-panorama.com\/en\/wp-json\/wp\/v2\/tags?post=3071"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}