{"id":4738,"date":"2022-09-28T00:10:05","date_gmt":"2022-09-27T22:10:05","guid":{"rendered":"https:\/\/www.drama-panorama.com\/en\/?page_id=4738"},"modified":"2022-09-28T00:48:36","modified_gmt":"2022-09-27T22:48:36","slug":"european-drama-from-poland-and-ukraine","status":"publish","type":"page","link":"https:\/\/www.drama-panorama.com\/en\/projects\/panorama-2-ubertheaterubersetzen\/european-drama-from-poland-and-ukraine\/","title":{"rendered":"European Drama from Poland and Ukraine"},"content":{"rendered":"\n<h4 class=\"is-style-default wp-block-heading\">Readings and discussions 18th &amp; 19th October 2022, English Theatre Berlin and Theater Vorpommern, Greifswald<\/h4>\n\n\n\n<p>As part of <a href=\"https:\/\/www.drama-panorama.com\/en\/panorama-2-ubertheaterubersetzen\/\"><strong>panorama #2<\/strong>: \u00fcber<strong>theater<\/strong>\u00fcbersetzen<\/a>, &#8220;European Drama from Poland and Ukraine&#8221; presents two playwrights from Poland and Ukraine, Olha Mazjupa, winner of the international author prize at the Heidelberger St\u00fcckemarkt 2017, and Ma\u0142gorzata Sikorska-Miszczuk, participant in the Berliner St\u00fcckemarkt 2011. The audience in Berlin and Greifswald will have the chance to get to know two of the most important playwrights and voices in each of their countries. In discussions and staged readings of their plays, the guest authors will be introduced by their translators Lydia Nagel and Andreas Volk, and the theatre scholar Iwona Uberman.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.drama-panorama.com\/wp-content\/uploads\/2022\/09\/image.png\" alt=\"\" class=\"wp-image-9167\" width=\"676\" height=\"451\" \/><figcaption>Scene from &#8220;Richtung Osten fliegt der Ball&#8221; by Olha Mazjupa at the Teatr Dramatyczny, photo: KarolinaJ\u00f3\u017awiak<\/figcaption><\/figure>\n<\/div>\n\n\n<p>In the last two years in particular, the theatre cultures in Poland and Ukraine have become increasingly networked with each other. This is primarily due to political events. As a result of the Russian war of aggression against Ukraine that started in the spring of this year, many artists, authors and theatre-makers have had to leave their country and found a new home in Poland, where they are trying to establish new lives as artists. This is facilitated by the linguistic proximity, shared historical experiences and theatre traditions.<\/p>\n\n\n\n<p>At a time when the dynamics of social and political processes as well as the strong European consciousness of the people in Poland and Ukraine continue to surprise those in the West, German-language theatres are also becoming painfully aware of the widespread absence of Polish and Ukrainian plays and playwrights. Instead of differences, they are looking for common ground.<\/p>\n\n\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<p class=\"has-turquise-color has-text-color\"><strong>Initiators and discussion chairs<\/strong><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.drama-panorama.com\/wp-content\/uploads\/2022\/09\/image-1.png\" alt=\"\" class=\"wp-image-9180\" width=\"341\" height=\"512\" \/><figcaption>Photo: Christina Kurby<\/figcaption><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>Lydia Nagel<\/strong>, born in 1977 in Wismar, Slavic languages scholar and cultural studies scholar, has been translating Ukrainian drama into German continuously for more than ten years. She is a founding member of Drama Panorama and translit e. V. as well as a member of the Vd\u00dc. She has translated many plays from various Slavic languages into German and regularly recommends plays to publishers, theatres and festivals. Since 2015, she has facilitated workshops on literary and theatre translation.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>Iwona Uberman<\/strong>, theatre studies scholar (PhD about &#8220;Auschwitz in the Theatre of &#8216;Embarrassment&#8217;. George Tabori&#8217;s Holocaust Plays in Theatre History since the End of the 60s&#8221; at the Ludwig Maximilians University in Munich). She works as a translator into Polish with a focus on theatre (including Sasha Marianna Salzmann, Oliver Kluck, Felicia Zeller, Ulrike Syha, Lukas B\u00e4rfuss, Lukas Linder, Miroslava Svolikova, Ewald Palmetshofer, Henriette Dushe), also works for the journal on contemporary drama  &#8220;Dialog&#8221; and as a theatre critic for Polish theatre journal &#8220;Teatr&#8221;.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.drama-panorama.com\/wp-content\/uploads\/2022\/09\/image-2.png\" alt=\"\" class=\"wp-image-9182\" width=\"384\" height=\"512\" \/><figcaption>Photo: private<\/figcaption><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" src=\"https:\/\/www.drama-panorama.com\/wp-content\/uploads\/2022\/09\/image-3.png\" alt=\"\" class=\"wp-image-9183\" \/><figcaption>Photo: Andrzej Walkusz<\/figcaption><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>Andreas Volk<\/strong>, born in 1971, studied Slavic languages and comparative central European studies in Berlin and Frankfurt (Oder). From 2009 to 2011, he was an assistant researcher at the  Collegium Polonicum in S\u0142ubice. Co-founder of the German-Polish translation yearbook &#8220;Oder\u00dcbersetzen&#8221;. Editor of the German-Polish-Ukrainian literary journal &#8220;radar&#8221; (2009-2016). Translator of contemporary Polish drama, including: Demirski, G\u00f3rnicka, Lupa, Pa\u0142yga, Sikorska-Miszczuk, S\u0142obodzianek, Szatrawska, Warlikowski. In 2013, he was awarded the ZAiKS translator&#8217;s prize and in 2022 the Karl Dedecius prize.<\/p>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<p class=\"has-text-align-center has-small-font-size\"><em>A cooperation between Drama Panorama e. V., Theater Vorpommern and English Theatre Berlin | International Performing Arts Center. An event by Drama Panorama: Forum f\u00fcr \u00dcbersetzung und Theater e. V. as part of the project <strong>panorama #2<\/strong>: \u00fcber<strong>theater<\/strong>\u00fcbersetzen, funded by the Federal Government Commissioner for Culture and the Media and the Deutscher \u00dcbersetzerfonds as part of the Neustart Kultur programme.<\/em><\/p>\n\n\n\n<figure class=\"wp-block-gallery aligncenter has-nested-images columns-7 is-style-vertical-align-center wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-id=\"8547\" src=\"https:\/\/www.drama-panorama.com\/wp-content\/uploads\/2022\/04\/DramaPanorama-Logo.png\" alt=\"\" class=\"wp-image-8547\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-id=\"8314\" src=\"https:\/\/www.drama-panorama.com\/wp-content\/uploads\/2022\/04\/171020_logo_DUF_L_CMYK_Print_schwarz_klein-2.png\" alt=\"\" class=\"wp-image-8314\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-id=\"7925\" src=\"https:\/\/www.drama-panorama.com\/wp-content\/uploads\/2022\/02\/Logo_Neustartkultur_BKM-1.jpg\" alt=\"\" class=\"wp-image-7925\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-style-default\"><img decoding=\"async\" data-id=\"7577\" src=\"https:\/\/www.drama-panorama.com\/wp-content\/uploads\/2021\/11\/ET-logo-as-jpeg.jpg\" alt=\"\" class=\"wp-image-7577\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-id=\"9195\" src=\"https:\/\/www.drama-panorama.com\/wp-content\/uploads\/2022\/09\/Logo-Theater-Vorpommern-quadratisch-002-1024x1024.jpg\" alt=\"\" class=\"wp-image-9195\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-id=\"8812\" src=\"https:\/\/www.drama-panorama.com\/wp-content\/uploads\/2022\/05\/taz_Logo.jpg\" alt=\"\" class=\"wp-image-8812\" \/><\/figure>\n<\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Readings and discussions in Greifswald and Berlin<\/p>\n","protected":false},"author":48,"featured_media":4978,"parent":4668,"menu_order":5,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-4738","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.drama-panorama.com\/en\/wp-json\/wp\/v2\/pages\/4738","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.drama-panorama.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.drama-panorama.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.drama-panorama.com\/en\/wp-json\/wp\/v2\/users\/48"}],"replies":[{"embeddable":true,"href":"https:\/\/www.drama-panorama.com\/en\/wp-json\/wp\/v2\/comments?post=4738"}],"version-history":[{"count":7,"href":"https:\/\/www.drama-panorama.com\/en\/wp-json\/wp\/v2\/pages\/4738\/revisions"}],"predecessor-version":[{"id":4984,"href":"https:\/\/www.drama-panorama.com\/en\/wp-json\/wp\/v2\/pages\/4738\/revisions\/4984"}],"up":[{"embeddable":true,"href":"https:\/\/www.drama-panorama.com\/en\/wp-json\/wp\/v2\/pages\/4668"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.drama-panorama.com\/en\/wp-json\/wp\/v2\/media\/4978"}],"wp:attachment":[{"href":"https:\/\/www.drama-panorama.com\/en\/wp-json\/wp\/v2\/media?parent=4738"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}