{"id":4722,"date":"2022-07-14T12:03:34","date_gmt":"2022-07-14T10:03:34","guid":{"rendered":"https:\/\/www.drama-panorama.com\/en\/?page_id=4722"},"modified":"2022-09-12T15:08:44","modified_gmt":"2022-09-12T13:08:44","slug":"multilingualism-in-theatre","status":"publish","type":"page","link":"https:\/\/www.drama-panorama.com\/en\/projects\/panorama-2-ubertheaterubersetzen\/multilingualism-in-theatre\/","title":{"rendered":"Multilingualism in Theatre"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>Workshop, panel discussion and readings, 5th &amp; 6th September, 2022<\/strong><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img decoding=\"async\" src=\"https:\/\/www.drama-panorama.com\/wp-content\/uploads\/2022\/04\/Mehrsprachigkeit-1024x678.jpg\" alt=\"\" class=\"wp-image-8433\" \/><figcaption>Ariel Nil Levy, Ariella Hirshfeld, Noureddine Chamari <em>|<\/em> Staged reading &#8220;The Situation&#8221; by Yael Ronen <em>|<\/em> English Theatre Berlin 04.10.21 <em>|<\/em> Photo: Ksenia Les<\/figcaption><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<p class=\"wp-block-paragraph\">In a successful first event in 2021, we explored the topic of multilingualism from a variety of perspectives in order to examine <strong>how translators contribute to multilingual theatre practice in our multilingual society<\/strong>. Based on an expanded concept of text and multilingualism, we now want to focus on the <strong>practice of writing and translating multilingual theatre texts<\/strong>. <\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Can multilingualism be viewed <strong>as a specific, or even new form of writing<\/strong>? Which questions do translators and playwrights ask themselves while working on multilingual texts? Which questions can we ask ourselves together?<\/p>\n\n\n<div class=\"list event-list teaser-layout teaser-columns-2\"><div id=\"post-4727\" class=\"list-item event post-4727\"><div class=\"item-thumbnail\"><a href=\"https:\/\/www.drama-panorama.com\/en\/event\/panel-discussions-and-readings-multilingual-drama-in-contemporary-theatre\/\"><img loading=\"lazy\" decoding=\"async\" width=\"720\" height=\"480\" src=\"https:\/\/www.drama-panorama.com\/en\/wp-content\/uploads\/sites\/2\/2022\/07\/ErosAntEros_CONFINI_DonatoAquaro_Pose_web_02-scaled-1-1024x682.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"\" srcset=\"https:\/\/www.drama-panorama.com\/en\/wp-content\/uploads\/sites\/2\/2022\/07\/ErosAntEros_CONFINI_DonatoAquaro_Pose_web_02-scaled-1-1024x682.jpg 1024w, https:\/\/www.drama-panorama.com\/en\/wp-content\/uploads\/sites\/2\/2022\/07\/ErosAntEros_CONFINI_DonatoAquaro_Pose_web_02-scaled-1-300x200.jpg 300w, https:\/\/www.drama-panorama.com\/en\/wp-content\/uploads\/sites\/2\/2022\/07\/ErosAntEros_CONFINI_DonatoAquaro_Pose_web_02-scaled-1-768x511.jpg 768w, https:\/\/www.drama-panorama.com\/en\/wp-content\/uploads\/sites\/2\/2022\/07\/ErosAntEros_CONFINI_DonatoAquaro_Pose_web_02-scaled-1-1536x1022.jpg 1536w, https:\/\/www.drama-panorama.com\/en\/wp-content\/uploads\/sites\/2\/2022\/07\/ErosAntEros_CONFINI_DonatoAquaro_Pose_web_02-scaled-1-2048x1363.jpg 2048w\" sizes=\"auto, (max-width: 720px) 100vw, 720px\" \/><\/a><\/div><div class=\"item-date\"><strong>06.09.2022<\/strong><\/div><h3 class=\"item-heading\"><a href=\"https:\/\/www.drama-panorama.com\/en\/event\/panel-discussions-and-readings-multilingual-drama-in-contemporary-theatre\/\"> Panel discussion and readings: Multilingual drama in contemporary theatre<\/a><\/h3><div class=\"item-venue\"><a href=\"https:\/\/www.etberlin.de\/\" target=\"_blank\">English Theatre Berlin | International Performing Arts Center<\/a><\/div><div class=\"wp-block-buttons\"><div class=\"wp-block-button\"><a class=\"wp-block-button__link\" href=\"https:\/\/www.drama-panorama.com\/en\/event\/panel-discussions-and-readings-multilingual-drama-in-contemporary-theatre\/\">Read more<\/a><\/div><\/div><\/div><div id=\"post-4724\" class=\"list-item event post-4724\"><div class=\"item-thumbnail\"><a href=\"https:\/\/www.drama-panorama.com\/en\/event\/workshop-multilingual-writing-for-theatre\/\"><img loading=\"lazy\" decoding=\"async\" width=\"720\" height=\"480\" src=\"https:\/\/www.drama-panorama.com\/en\/wp-content\/uploads\/sites\/2\/2022\/07\/TERRES-ARIDES-c-Bohumil-Kostohryz-038-1024x683.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"\" srcset=\"https:\/\/www.drama-panorama.com\/en\/wp-content\/uploads\/sites\/2\/2022\/07\/TERRES-ARIDES-c-Bohumil-Kostohryz-038-1024x683.jpg 1024w, https:\/\/www.drama-panorama.com\/en\/wp-content\/uploads\/sites\/2\/2022\/07\/TERRES-ARIDES-c-Bohumil-Kostohryz-038-300x200.jpg 300w, https:\/\/www.drama-panorama.com\/en\/wp-content\/uploads\/sites\/2\/2022\/07\/TERRES-ARIDES-c-Bohumil-Kostohryz-038-768x512.jpg 768w, https:\/\/www.drama-panorama.com\/en\/wp-content\/uploads\/sites\/2\/2022\/07\/TERRES-ARIDES-c-Bohumil-Kostohryz-038-1536x1024.jpg 1536w, https:\/\/www.drama-panorama.com\/en\/wp-content\/uploads\/sites\/2\/2022\/07\/TERRES-ARIDES-c-Bohumil-Kostohryz-038-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 720px) 100vw, 720px\" \/><\/a><\/div><div class=\"item-date\"><strong>05.09.2022<\/strong><\/div><h3 class=\"item-heading\"><a href=\"https:\/\/www.drama-panorama.com\/en\/event\/workshop-multilingual-writing-for-theatre\/\"> Workshop: Multilingual Writing for Theatre<\/a><\/h3><div class=\"item-venue\"><a href=\"https:\/\/www.etberlin.de\/\" target=\"_blank\">English Theatre Berlin | International Performing Arts Center<\/a><\/div><div class=\"wp-block-buttons\"><div class=\"wp-block-button\"><a class=\"wp-block-button__link\" href=\"https:\/\/www.drama-panorama.com\/en\/event\/workshop-multilingual-writing-for-theatre\/\">Read more<\/a><\/div><\/div><\/div><\/div>\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<h4 class=\"is-style-default has-turquise-color has-text-color wp-block-heading\">Initiators<\/h4>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>Hannes Becker<\/strong>, born in 1982 in Frankfurt am Main, studied Contemporary German Literature, American Studies and History in Berlin as well as Creative Writing in Leipzig. Translator of plays and poems by writers including Pamela Carter, Caryl Churchill, Matthew Lopez, Alexander Manuiloff and Rosmarie Waldrop. Writes radio plays, theatre plays and short stories. He has been working on his PhD on <em>Prevention Fantasies<\/em> at the ZfL Berlin and at the Department of Cultural Studies at the Humboldt University Berlin since 2014.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"426\" src=\"https:\/\/www.drama-panorama.com\/en\/wp-content\/uploads\/sites\/2\/2022\/07\/image.png\" alt=\"\" class=\"wp-image-4841\" srcset=\"https:\/\/www.drama-panorama.com\/en\/wp-content\/uploads\/sites\/2\/2022\/07\/image.png 640w, https:\/\/www.drama-panorama.com\/en\/wp-content\/uploads\/sites\/2\/2022\/07\/image-300x200.png 300w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>\u00a9 Ayse Yavas<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"426\" height=\"640\" src=\"https:\/\/www.drama-panorama.com\/en\/wp-content\/uploads\/sites\/2\/2022\/07\/image-1.png\" alt=\"\" class=\"wp-image-4842\" srcset=\"https:\/\/www.drama-panorama.com\/en\/wp-content\/uploads\/sites\/2\/2022\/07\/image-1.png 426w, https:\/\/www.drama-panorama.com\/en\/wp-content\/uploads\/sites\/2\/2022\/07\/image-1-200x300.png 200w\" sizes=\"auto, (max-width: 426px) 100vw, 426px\" \/><figcaption>\u00a9 Christina Kurby<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>Lydia Nagel<\/strong>, born in 1977 in Wismar, studied Slavic Languages and Cultural Studies in Berlin, Belgrade and Moscow and from 2011 to 2014 worked as a research assistant at the Department of Slavic Languages at the University of Vienna. She is a founding member of Drama Panorama and translit e. V. as well as a member of the Vd\u00dc. She has translated numerous plays from various Slavic languages into German, she regularly recommends plays to publishers, theatres and festivals, and has been giving workshops on literary and theatre translation since 2015.<\/p>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\" \/>\n\n\n\n<p class=\"has-text-align-center has-small-font-size wp-block-paragraph\"><em><em>An event by Drama Panorama: Forum f\u00fcr \u00dcbersetzung und Theater e. V. as part of the project&nbsp;<strong>panorama #2:<\/strong>&nbsp;\u00fcber<strong>theater<\/strong>\u00fcbersetzen, funded by the Federal Government Commissioner for Culture and the Media and the&nbsp;Deutscher \u00dcbersetzerfonds&nbsp;as part of the Neustart Kultur programme. In cooperation with <\/em>the <em>taz.<\/em><\/em><\/p>\n\n\n\n<figure class=\"wp-block-gallery aligncenter has-nested-images columns-5 is-style-vertical-align-center wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"463\" data-id=\"4794\" src=\"https:\/\/www.drama-panorama.com\/en\/wp-content\/uploads\/sites\/2\/2022\/05\/dp_Logo_2020_trans_small-1024x463-1.png\" alt=\"\" class=\"wp-image-4794\" srcset=\"https:\/\/www.drama-panorama.com\/en\/wp-content\/uploads\/sites\/2\/2022\/05\/dp_Logo_2020_trans_small-1024x463-1.png 1024w, https:\/\/www.drama-panorama.com\/en\/wp-content\/uploads\/sites\/2\/2022\/05\/dp_Logo_2020_trans_small-1024x463-1-300x136.png 300w, https:\/\/www.drama-panorama.com\/en\/wp-content\/uploads\/sites\/2\/2022\/05\/dp_Logo_2020_trans_small-1024x463-1-768x347.png 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"89\" data-id=\"4793\" src=\"https:\/\/www.drama-panorama.com\/en\/wp-content\/uploads\/sites\/2\/2022\/05\/171020_logo_DUF_L_CMYK_Print_schwarz_klein-2.png\" alt=\"\" class=\"wp-image-4793\" srcset=\"https:\/\/www.drama-panorama.com\/en\/wp-content\/uploads\/sites\/2\/2022\/05\/171020_logo_DUF_L_CMYK_Print_schwarz_klein-2.png 400w, https:\/\/www.drama-panorama.com\/en\/wp-content\/uploads\/sites\/2\/2022\/05\/171020_logo_DUF_L_CMYK_Print_schwarz_klein-2-300x67.png 300w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1764\" height=\"431\" data-id=\"4795\" src=\"https:\/\/www.drama-panorama.com\/en\/wp-content\/uploads\/sites\/2\/2022\/05\/Logo_Neustartkultur_BKM-2.jpg\" alt=\"\" class=\"wp-image-4795\" srcset=\"https:\/\/www.drama-panorama.com\/en\/wp-content\/uploads\/sites\/2\/2022\/05\/Logo_Neustartkultur_BKM-2.jpg 1764w, https:\/\/www.drama-panorama.com\/en\/wp-content\/uploads\/sites\/2\/2022\/05\/Logo_Neustartkultur_BKM-2-300x73.jpg 300w, https:\/\/www.drama-panorama.com\/en\/wp-content\/uploads\/sites\/2\/2022\/05\/Logo_Neustartkultur_BKM-2-1024x250.jpg 1024w, https:\/\/www.drama-panorama.com\/en\/wp-content\/uploads\/sites\/2\/2022\/05\/Logo_Neustartkultur_BKM-2-768x188.jpg 768w, https:\/\/www.drama-panorama.com\/en\/wp-content\/uploads\/sites\/2\/2022\/05\/Logo_Neustartkultur_BKM-2-1536x375.jpg 1536w\" sizes=\"auto, (max-width: 1764px) 100vw, 1764px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"704\" height=\"580\" data-id=\"4523\" src=\"https:\/\/www.drama-panorama.com\/en\/wp-content\/uploads\/sites\/2\/2021\/11\/ET-logo-as-jpeg.jpg\" alt=\"\" class=\"wp-image-4523\" srcset=\"https:\/\/www.drama-panorama.com\/en\/wp-content\/uploads\/sites\/2\/2021\/11\/ET-logo-as-jpeg.jpg 704w, https:\/\/www.drama-panorama.com\/en\/wp-content\/uploads\/sites\/2\/2021\/11\/ET-logo-as-jpeg-300x247.jpg 300w\" sizes=\"auto, (max-width: 704px) 100vw, 704px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"2362\" height=\"1051\" data-id=\"4790\" src=\"https:\/\/www.drama-panorama.com\/en\/wp-content\/uploads\/sites\/2\/2022\/05\/taz_Logo-1.jpg\" alt=\"\" class=\"wp-image-4790\" srcset=\"https:\/\/www.drama-panorama.com\/en\/wp-content\/uploads\/sites\/2\/2022\/05\/taz_Logo-1.jpg 2362w, https:\/\/www.drama-panorama.com\/en\/wp-content\/uploads\/sites\/2\/2022\/05\/taz_Logo-1-300x133.jpg 300w, https:\/\/www.drama-panorama.com\/en\/wp-content\/uploads\/sites\/2\/2022\/05\/taz_Logo-1-1024x456.jpg 1024w, https:\/\/www.drama-panorama.com\/en\/wp-content\/uploads\/sites\/2\/2022\/05\/taz_Logo-1-768x342.jpg 768w, https:\/\/www.drama-panorama.com\/en\/wp-content\/uploads\/sites\/2\/2022\/05\/taz_Logo-1-1536x683.jpg 1536w, https:\/\/www.drama-panorama.com\/en\/wp-content\/uploads\/sites\/2\/2022\/05\/taz_Logo-1-2048x911.jpg 2048w\" sizes=\"auto, (max-width: 2362px) 100vw, 2362px\" \/><\/figure>\n<\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Workshop, panel discussion and readings<\/p>\n","protected":false},"author":48,"featured_media":4919,"parent":4668,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-4722","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.drama-panorama.com\/en\/wp-json\/wp\/v2\/pages\/4722","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.drama-panorama.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.drama-panorama.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.drama-panorama.com\/en\/wp-json\/wp\/v2\/users\/48"}],"replies":[{"embeddable":true,"href":"https:\/\/www.drama-panorama.com\/en\/wp-json\/wp\/v2\/comments?post=4722"}],"version-history":[{"count":10,"href":"https:\/\/www.drama-panorama.com\/en\/wp-json\/wp\/v2\/pages\/4722\/revisions"}],"predecessor-version":[{"id":4971,"href":"https:\/\/www.drama-panorama.com\/en\/wp-json\/wp\/v2\/pages\/4722\/revisions\/4971"}],"up":[{"embeddable":true,"href":"https:\/\/www.drama-panorama.com\/en\/wp-json\/wp\/v2\/pages\/4668"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.drama-panorama.com\/en\/wp-json\/wp\/v2\/media\/4919"}],"wp:attachment":[{"href":"https:\/\/www.drama-panorama.com\/en\/wp-json\/wp\/v2\/media?parent=4722"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}