{"id":5165,"date":"2023-04-12T17:25:53","date_gmt":"2023-04-12T15:25:53","guid":{"rendered":"https:\/\/www.drama-panorama.com\/en\/?post_type=event&#038;p=5165"},"modified":"2023-05-22T10:58:45","modified_gmt":"2023-05-22T08:58:45","slug":"new-translations-of-international-drama-hungary-ukraine-poland","status":"publish","type":"event","link":"https:\/\/www.drama-panorama.com\/en\/event\/new-translations-of-international-drama-hungary-ukraine-poland\/","title":{"rendered":"New Translations of International Drama &#8211; Hungary, Ukraine, Poland"},"content":{"rendered":"\n<h3 class=\"wp-block-heading\">Friday, 26.05.2023, English Theatre Berlin<\/h3>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.drama-panorama.com\/wp-content\/uploads\/2023\/03\/Kartonpapa.png\" alt=\"\" class=\"wp-image-9637\" width=\"825\" height=\"524\" \/><figcaption class=\"wp-element-caption\"><em>Kartonpapa<\/em>, directed by: Istv\u00e1n Tasn\u00e1di, premiere: 13.06.2021 at theSzk\u00e9n\u00e9 Theater, <br>from left: \u00c1d\u00e1m Varga, Dorottya Udvaros, P\u00e9ter Scherer, photo: Orsi Torj\u00e1k.<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"has-black-color has-text-color\"><strong>15:00 <\/strong><br><strong>Hungary: Trapped in the Patriarchy<\/strong><\/p>\n\n\n\n<p class=\"has-turquise-color has-text-color\"><strong>Istv\u00e1n Tasn\u00e1di: <em>Kartonpapa<\/em><\/strong><br><strong>Translated from the Hungarian by Marianne Behrmann<\/strong><\/p>\n\n\n\n<p>Followed by a panel discussion with the playwright and translator<br>Dramaturgy: Marianna Behrmann<br>Intepreted by: Christina Kunze<\/p>\n\n\n\n<p>Istv\u00e1n Tasn\u00e1di&#8217;s black comedy examines what happens when a family loses its patriarch. Eva has recently lost her beloved husband, Miklos, and now cannot cope with her new situation and newfound freedom. Miklos was in charge of the family until his death; Eva didn&#8217;t have to make her own decisions, which she finds very difficult now. Even the word freedom itself frightens to her. She can&#8217;t come to terms with her grief and simply pretends that he&#8217;s still alive. So she cuts her spouse out of cardboard and takes the &#8220;cardboard dad&#8221; (<em>Kartonpapa<\/em>) with her when she goes to visit family with her adult son. The play shows the deep wounds caused by patriarchal structures in family structures and the damage that authoritarian power relationships also leave behind in society as a whole.<\/p>\n\n\n\n<p>Free entrance, but please <a href=\"https:\/\/www.eventbrite.de\/e\/616451903237\">register here<\/a>.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<p class=\"has-black-color has-text-color\"><strong>17:00 <\/strong><br><strong>Ukraine: <strong>Journey Through a Country Torn Apart<\/strong><\/strong><\/p>\n\n\n\n<p class=\"has-turquise-color has-text-color\"><strong>Anastasiia Kosodii: <em>Timetraveller\u2019s Guide to Donbas<\/em><\/strong><br><strong>Translated from the Ukrainian by Lydia Nagel<\/strong><\/p>\n\n\n\n<p>Followed by a panel discussion with the playwright and translator <br>Dramaturgy: Lydia Nagel<br>Chaired by: Hannes Becker<\/p>\n\n\n\n<p>Two time travellers from the year 2036 arrive in the year 2013 in search of the origins of the war in the Donbas. In her surreal road movie, Anastasiia Kosodii describes a journey through a country torn apart. The play was created for the project &#8220;Krieg im Frieden&#8221; at the International Dramatiker:innenlabor in Berlin.<\/p>\n\n\n\n<p>Free entrance, but please <a href=\"https:\/\/www.eventbrite.de\/e\/616470418617\">register here<\/a>.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<p class=\"has-black-color has-text-color\"><strong>20:00 <\/strong><br><strong><strong>Poland<\/strong>: A Bitter Pandemic Commedia dell&#8217;Arte<\/strong><\/p>\n\n\n\n<p class=\"has-turquise-color has-text-color\"><strong>Ishbel Szatrawska: <em>Totentanz. Schwarze Nacht, schwarzer Tod<\/em><\/strong><br><strong>Translated from the Polish by Andreas Volk<\/strong><\/p>\n\n\n\n<p>Followed by a panel discussion with the playwright and translator <br>Dramaturgy: Andreas Volk<br>Chaired by: Iwona Uberman<br>Interpreted by: Agnieszka Grzybkowska<\/p>\n\n\n\n<p>This play was in the final selection of the prestigious Drama Prize of the city of Gdynia and also on the shortlist of the Berlin Theatertreffen St\u00fcckemarkt (2022). March 2020 in Bergamo: in the middle of the lockdown in the early stages of the pandemic, Francesca and Luca, a middle class couple from the fashion and television industry, are giving a lavish dinner for their neighbours. The social drama gradually devolves from a commedia dell&#8217;arte into an opera, then a television drama, and in the end takes on fantastical overtones. The entire story is embedded in a funeral mass and is full of erudite allusions to Italian history, society and culture (Petrarch, Boccaccio, Pasolini). Two invisible plagues hover over the stage like the sword of Damocles: the corona virus dances a merry dance with the virus of fascism.<\/p>\n\n\n\n<p>Free entrance, but please <a href=\"https:\/\/www.eventbrite.de\/e\/616475273137\">register here<\/a>.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<p><strong>The staged readings on Friday, 26.05.2023 are directed by: Daniel Brunet<\/strong><\/p>\n\n\n\n<p><strong>Performed by:<\/strong> <strong>Mareile Metzner, Patrick Khatami, Friederike P\u00f6schel, Lutz Wessel<\/strong><\/p>\n\n\n\n<p>Each event lasts around 90 minutes and there will be breaks between them. Back to <a href=\"https:\/\/www.drama-panorama.com\/en\/projects\/new-translations-of-international-drama\/\">main page<\/a>.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>Istv\u00e1n Tasn\u00e1di<\/strong>&nbsp;is a writer, director and theatre scholar. He has been publishing poetry and plays regularly since 1992. He was a co-founder and dramaturge at the B\u00e1rka Theater in Budapest before beginning his work as resident playwright and artistic co-director at the Kr\u00e9tak\u00f6r Theater in 2001. His literary work includes more than thirty plays and scripts, including, for example, <em>Nexxt \u2013 Frau Plastic Chicken Show<\/em> (directed by \u00c1rp\u00e1d Schilling), which was invited to the Festival d&#8217;Avignon. In 1999, Istv\u00e1n Tasn\u00e1di&#8217;s best-known play, <em>Staatsfeind Kohlhaas<\/em>, was awarded the prize for the best young Hungarian drama. His works are performed in many European countries, Russia and the USA.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.drama-panorama.com\/wp-content\/uploads\/2023\/03\/Istvan_Tasnadi.png\" alt=\"\" class=\"wp-image-9687\" width=\"395\" height=\"403\" \/><figcaption class=\"wp-element-caption\">Photo: \u00c1kos T\u00fary<\/figcaption><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" src=\"https:\/\/www.drama-panorama.com\/wp-content\/uploads\/2023\/04\/Marianne_Behrmann.jpeg\" alt=\"\" class=\"wp-image-9713\" \/><figcaption class=\"wp-element-caption\">Photo: Anett&nbsp;K\u00e1llai-T\u00f3th<\/figcaption><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>Marianne Behrmann<\/strong> is a Hungarian German studies scholar, German as a foreign language teacher, translator and publisher. Member of Drama Panorama: Forum f\u00fcr \u00dcbersetzung und Theater e.V., Berlin. In 2022, a novel by the Hungarian actor Mih\u00e1ly Ozsgy\u00e1ni: <em>Mein Schleier rutschte ein wenig zur Seite<\/em> was published in her translation by the Frankfurter Ruhland Verlag.<\/p>\n<\/div>\n<\/div>\n\n\n\n<p>She also translates novels by best-selling Swiss author Damaris Kofmehl into Hungarian, as well as plays published by Hofmann-Paul, Deutscher Theaterverlag and Henschel Schauspiel. She is currently working on an anthology of new Hungarian drama.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" src=\"https:\/\/www.drama-panorama.com\/wp-content\/uploads\/2023\/03\/Anastasiia-Kosodii_c_Ezra-Rotthoff.jpeg\" alt=\"\" class=\"wp-image-9688\" \/><figcaption class=\"wp-element-caption\">Photo: Ezra&nbsp;Rotthoff<\/figcaption><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>Anastasiia Kosodii<\/strong>&nbsp;is a playwright, director and co-founder of the Theatre of Playwrights in&nbsp;Kyiv. Her plays,&nbsp;such as&nbsp;<em>Was ist j\u00fcdische Musik (<\/em>original:&nbsp;<em>\u0429\u043e \u0442\u0430\u043a\u0435 \u0454\u0432\u0440\u0435\u0439\u0441\u044c\u043a\u0430 \u043c\u0443\u0437\u0438\u043a\u0430)<\/em>&nbsp;and&nbsp;<em>Acht kurze Kompositionen \u00fcber das Leben der Ukrainer:innen f\u00fcr das westliche Publikum (<\/em>original:&nbsp;<em>\u0412\u0456\u0441\u0456\u043c \u043a\u043e\u0440\u043e\u0442\u043a\u0438\u0445 \u043a\u043e\u043c\u043f\u043e\u0437\u0438\u0446\u0456\u0439 \u043f\u0440\u043e \u0436\u0438\u0442\u0442\u044f \u0443\u043a\u0440\u0430\u0457\u043d\u0446\u0456\u0432 \u0434\u043b\u044f \u0437\u0430\u0445\u0456\u0434\u043d\u043e\u0457 \u0430\u0443\u0434\u0438\u0442\u043e\u0440\u0456\u0457),<\/em>&nbsp;have been performed in many theatres in Ukraine and have been performed and staged in many other countries. In 2022, she organised the series of readings <em>Vom Krieg \u2013 Ukrainische&nbsp;Dramatiker:innen&nbsp;erz\u00e4hlen vom Leben w\u00e4hrend der Invasion durch Russland<\/em>. She is writer in residence for 2022\/23 at the Nationaltheater Mannheim, where her news play&nbsp;<em>Wie man mit Toten spricht&nbsp;(<\/em>original:&nbsp;<em>\u042f\u043a \u0433\u043e\u0432\u043e\u0440\u0438\u0442\u0438 \u0437 \u043c\u0435\u0440\u0442\u0432\u0438\u043c\u0438)<\/em>&nbsp;premiered in April 2023.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>Lydia Nagel<\/strong>&nbsp;is a Slavic languages and cultural studies scholar and has been translating Ukrainian drama into German continuously for more than ten years. She is a founding member of Drama Panorama and translit e. V. as well as a member of the Vd\u00dc. She has translated many plays from various Slavic languages into German and regularly recommends plays to publishers, theatres and festivals. Since 2015, she has also facilitated workshops on literary and theatre translation. In 2022, she was co-artistic director of the events <em>Multilingualism in Theatre<\/em> and <em>European Drama from Poland and the Ukraine<\/em> as part of the Drama Panorama project <strong>panorama#2<\/strong>: \u00fcber<strong>theater<\/strong>\u00fcbersetzen.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img decoding=\"async\" src=\"https:\/\/www.drama-panorama.com\/wp-content\/uploads\/2023\/03\/Lydia-Nagel_c_Christina-Kurby-682x1024.jpg\" alt=\"\" class=\"wp-image-9689\" \/><figcaption class=\"wp-element-caption\">Photo: Christina&nbsp;Kurby<\/figcaption><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" src=\"https:\/\/www.drama-panorama.com\/wp-content\/uploads\/2023\/03\/Ishbel-Szatrawska_Foto-Izabella-Gorska-Gorscy-Fotografia.jpeg\" alt=\"\" class=\"wp-image-9690\" \/><figcaption class=\"wp-element-caption\">Photo: Izabella&nbsp;G\u00f3rska<\/figcaption><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>Ishbel Szatrawska<\/strong>&nbsp;is a Polish playwright and theatre studies scholar. In December 2019, she debuted with the play&nbsp;<em>Objects in Mirror Are Closer Than They Appear<\/em>&nbsp;in the e-anthology <em>Nasz g\u0142os<\/em>, published by the Stary Teatr in Krak\u00f3w. She has published further dramas in the theatre journal <em>Dialog<\/em>:&nbsp;<em>Hunt<\/em>&nbsp;[original:&nbsp;<em>Polowanie<\/em>] (no. 4\/2020),&nbsp;<em>Totentanz. Schwarze Nacht, schwarzer Tod<\/em>&nbsp;[original:&nbsp;<em>Totentanz. Czarna noc, czarna \u015bmier\u0107<\/em>] (no. 2\/2021). <\/p>\n<\/div>\n<\/div>\n\n\n\n<p>In 2020, she was awarded an artist&#8217;s scholarship from the city of Krak\u00f3w, as a result of which she wrote the play&nbsp;<em>Katerina is Missing<\/em>&nbsp;[original:&nbsp;<em>Kateriny brak<\/em>]. She was also winner of the scholarship competition DRAMATOPISANIE (2021), organised by the Zbigniew Raszewski Institute for Theatre. During this scholarship, she wrote the play <em>Freelance Snipers <\/em>[original:&nbsp;<em>Wolny strzelec<\/em>] about the war in in Iraq and the fall of Saddam Hussein in 2003. Her play&nbsp;<em>The Life and Death of Hersh Libkin from Sacramento, California<\/em>&nbsp;[original:&nbsp;<em>\u017bywot i \u015bmier\u0107 pana Hersha Libkina z Sacramento w stanie Kalifornia<\/em>] was selected by Eurodram \u2013 European Network for Drama in Translation in the Polish selection.<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>Andreas Volk<\/strong>&nbsp;studied Slavic languages and comparative central European studies in Berlin and Frankfurt (Oder). From 2009 to 2011, he was an assistant researcher at the Collegium Polonicum in S\u0142ubice. Co-founder of the German-Polish translation yearbook \u201cOder\u00dcbersetzen\u201d. Editor of the German-Polish-Ukrainian literary journal \u201cradar\u201d (2009-2016). Translator of contemporary Polish drama, including: Demirski, G\u00f3rnicka, Lupa, Pa\u0142yga, Sikorska-Miszczuk, S\u0142obodzianek, Szatrawska, Warlikowski. In 2013, he was awarded the ZAiKS translator\u2019s prize and in 2022 the Karl Dedecius prize.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img decoding=\"async\" src=\"https:\/\/www.drama-panorama.com\/wp-content\/uploads\/2023\/03\/Andreas-Volk_fot.-Andrzej-Walkusz-1024x846.jpg\" alt=\"\" class=\"wp-image-9691\" \/><figcaption class=\"wp-element-caption\">Photo: Andrzej&nbsp;Walkusz<\/figcaption><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<p class=\"has-text-align-center has-small-font-size\"><em>Artistic directors: Anna Galt, Charlotte Bomy and Barbora Schnelle<br>Production: Tine Elbel<br>PR: <a href=\"https:\/\/augustinpr.de\/\">Augustin PR<\/a><\/em><\/p>\n\n\n\n<p class=\"has-text-align-center has-small-font-size\"><em>This three-day festival of readings is the continuation of the series of events PANORAMA #1 and PANORAMA #2: \u00dcBERTHEATER\u00dcBERSETZEN, which <em>Drama Panorama: Forum f\u00fcr \u00dcbersetzung und Theater e. V.<\/em><\/em> <em>organised in 2021 and 2022, <\/em><br><em>generously funded by the Deutscher \u00dcbersetzerfonds.<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center has-small-font-size\"><em>Funded by the Deutscher \u00dcbersetzerfonds <em>and the Federal Government Commissioner for Culture and the Media<\/em><\/em> <em>as part of the NEUSTART KULTUR programme.<\/em> <em>The translation of the Czech play &#8220;Sorex&#8221; by Tom\u00e1\u0161&nbsp;R\u00e1li\u0161&nbsp;was funded by the Academy of Performing Arts in Prague<\/em>.&nbsp;<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.drama-panorama.com\/wp-content\/uploads\/2023\/02\/dp_Logo_2020_trans_small-1024x463.png\" alt=\"\" class=\"wp-image-9537\" width=\"267\" height=\"120\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.drama-panorama.com\/wp-content\/uploads\/2023\/02\/ET-logo-as-jpeg-1.jpg\" alt=\"\" class=\"wp-image-9538\" width=\"160\" height=\"132\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.drama-panorama.com\/wp-content\/uploads\/2023\/02\/171020_logo_DUF_L_CMYK_Print_schwarz-1-1024x229.png\" alt=\"\" class=\"wp-image-9534\" width=\"251\" height=\"56\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns are-vertically-aligned-center is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" src=\"https:\/\/www.drama-panorama.com\/wp-content\/uploads\/2023\/05\/Theaterhausmitte.png\" alt=\"\" class=\"wp-image-9770\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/www.drama-panorama.com\/wp-content\/uploads\/2023\/02\/Logo_Neustartkultur_BKM-1024x250.jpg\" alt=\"\" class=\"wp-image-9533\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/www.drama-panorama.com\/wp-content\/uploads\/2023\/02\/Logo_AMU-1-1024x272.png\" alt=\"\" class=\"wp-image-9539\" \/><\/figure>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Hungary, Poland, Ukraine<\/p>\n","protected":false},"author":29,"featured_media":5166,"template":"","meta":{"_acf_changed":false},"event-type":[2257,2307],"class_list":["post-5165","event","type-event","status-publish","has-post-thumbnail","hentry","event-type-event","event-type-panorama-3"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.drama-panorama.com\/en\/wp-json\/wp\/v2\/event\/5165","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.drama-panorama.com\/en\/wp-json\/wp\/v2\/event"}],"about":[{"href":"https:\/\/www.drama-panorama.com\/en\/wp-json\/wp\/v2\/types\/event"}],"author":[{"embeddable":true,"href":"https:\/\/www.drama-panorama.com\/en\/wp-json\/wp\/v2\/users\/29"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.drama-panorama.com\/en\/wp-json\/wp\/v2\/media\/5166"}],"wp:attachment":[{"href":"https:\/\/www.drama-panorama.com\/en\/wp-json\/wp\/v2\/media?parent=5165"}],"wp:term":[{"taxonomy":"event-type","embeddable":true,"href":"https:\/\/www.drama-panorama.com\/en\/wp-json\/wp\/v2\/event-type?post=5165"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}