{"id":3390,"date":"2018-05-25T13:58:41","date_gmt":"2018-05-25T11:58:41","guid":{"rendered":"https:\/\/www.drama-panorama.com\/cs\/?p=3390"},"modified":"2018-05-25T13:58:41","modified_gmt":"2018-05-25T11:58:41","slug":"ohlasy-z-tisku-herec-a-truhlar-majer-mluvi-o-stavu-sve-domoviny","status":"publish","type":"post","link":"https:\/\/www.drama-panorama.com\/cs\/2018\/05\/25\/ohlasy-z-tisku-herec-a-truhlar-majer-mluvi-o-stavu-sve-domoviny\/","title":{"rendered":"Ohlasy z tisku &#8211; HEREC A TRUHLA\u0301R\u030c MAJER MLUVI\u0301 O STAVU SVE\u0301 DOMOVINY"},"content":{"rendered":"<blockquote><p>Je\u0161t\u011b o patro v\u00fd\u0161, co se ironie t\u00fd\u010de, posouv\u00e1 Z\u00e1bransk\u00e9ho text sebejist\u00e1 interpretace Stanislava Majera. Re\u017eis\u00e9rka Kamila Pol\u00edvkov\u00e1 ponech\u00e1v\u00e1 protagonistovi ve\u010dera maxim\u00e1ln\u00ed prostor pro modern\u00ed, minimalistickou hereckou akci\u2026 (\u2026) Ve spolupr\u00e1ci s\u00a0re\u017eis\u00e9rkou Pol\u00edvkovou na\u0161el herec p\u0159esn\u00fd kl\u00ed\u010d, jak prezentovat n\u00e1zory, kter\u00e9 jdou jemu samotn\u00e9mu proti srsti.\u00a0 Shazuj\u00edc\u00ed hlasovou modulac\u00ed \u010di z\u00e1m\u011brn\u011b p\u0159eexponovan\u00fdm v\u00fdrazem si od obsahu pron\u00e1\u0161en\u00fdch v\u011bt udr\u017euje ironickou distanci. Jeho zcizuj\u00edc\u00ed \u0161kleb vrchol\u00ed p\u0159i interpretov\u00e1n\u00ed autorovy vize rozpadu globalizovan\u00e9ho sv\u011bta, jen\u017e m\u00e1 p\u0159edznamen\u00e1vat \u00e9ru \u201czav\u00edjen\u00ed\u201d se st\u00e1t\u016f do obnoven\u00fdch hranic. (\u2026) Z\u00a0dramaturgick\u00e9ho hlediska zasluhuje Studio Hrdin\u016f ocen\u011bn\u00ed za to, \u017ee se pou\u0161t\u00ed na tenk\u00fd led kontroverzn\u00edch t\u00e9mat a um\u011bleck\u00e9 provokace, aby tak p\u0159isp\u011blo ke zkultivov\u00e1n\u00ed diskuse a k prohlouben\u00ed emaptie uvnit\u0159 schozofrenicky rozpolcen\u00e9ho n\u00e1roda.<\/p><\/blockquote>\n<p>Sa\u0161a Hrbotick\u00fd, aktualne.cz 20\/9\/2016<\/p>\n<p>&nbsp;<\/p>\n<blockquote><p>\u00a0\u201cMajerovsk\u00e9 monodrama\u201d se m\u016f\u017ee st\u00e1t unik\u00e1tn\u00ed kapitolou v\u00a0d\u011bjin\u00e1ch zdej\u0161\u00edho politick\u00e9ho divadla.<\/p><\/blockquote>\n<p>Marta Harasimowicz, Nov\u00fd prostor 4\/10\/2016<\/p>\n<p>&nbsp;<\/p>\n<blockquote><p>Spole\u010dn\u011b (Z\u00e1bransk\u00fd, Pol\u00edvkov\u00e1, Majer) vytvo\u0159ili inscenaci, kter\u00e1 krom\u011b mnohovrstevnat\u00e9 ironick\u00e9 hry nab\u00edz\u00ed politickou disputaci vedenou v\u00fdsostn\u011b divadeln\u00edmi prost\u0159edy, tedy n\u011bco, co \u010desk\u00e9mu divadlu \u017ealostn\u011b chyb\u00ed. Nav\u00edc je to disputace, kter\u00e1 nem\u00e1 p\u0159edem ur\u010den\u00e9ho v\u00edt\u011bze a kter\u00e1 div\u00e1ka nut\u00ed \u2013 co\u017e je na cel\u00e9 v\u011bci nejcenn\u011bj\u0161\u00ed \u2013 po\u0159\u00e1dn\u011b se zamyslet nad formulac\u00ed sv\u00fdch vlastn\u00edch (proti)argument\u016f.<\/p><\/blockquote>\n<p>Vladim\u00edr Mikulka, Divadeln\u00ed noviny 17\/2016<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Je\u0161t\u011b o patro v\u00fd\u0161, co se ironie t\u00fd\u010de, posouv\u00e1 Z\u00e1bransk\u00e9ho text sebejist\u00e1 interpretace Stanislava Majera. Re\u017eis\u00e9rka Kamila Pol\u00edvkov\u00e1 ponech\u00e1v\u00e1 protagonistovi ve\u010dera maxim\u00e1ln\u00ed prostor pro modern\u00ed, minimalistickou hereckou akci\u2026 (\u2026) Ve spolupr\u00e1ci s\u00a0re\u017eis\u00e9rkou Pol\u00edvkovou na\u0161el herec p\u0159esn\u00fd kl\u00ed\u010d, jak prezentovat n\u00e1zory, kter\u00e9 jdou jemu samotn\u00e9mu proti&hellip; <a class=\"read-more\" href=\"https:\/\/www.drama-panorama.com\/cs\/2018\/05\/25\/ohlasy-z-tisku-herec-a-truhlar-majer-mluvi-o-stavu-sve-domoviny\/\">Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":3319,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1800],"tags":[169,211,234,305,402,1922,426,1919,698,1916,1903,1846,1896,1908,1921,1783,1915,1818,1920,1918,1905,1324,1917,1809,1904,1794,1849],"class_list":["post-3390","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-komentar","tag-barbora","tag-berlin","tag-bochert","tag-ceske-centrum","tag-divadlo","tag-doris","tag-drama-cs","tag-dusan","tag-henning","tag-herec","tag-hrdinu","tag-kamila","tag-kouba","tag-kreuzberg","tag-kus","tag-kus-ceska","tag-majer","tag-panorama","tag-parizek","tag-polivkova","tag-praha","tag-schnelle","tag-stanislav","tag-stuck","tag-studio","tag-tschechien","tag-zabransky"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.drama-panorama.com\/cs\/wp-json\/wp\/v2\/posts\/3390","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.drama-panorama.com\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.drama-panorama.com\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.drama-panorama.com\/cs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.drama-panorama.com\/cs\/wp-json\/wp\/v2\/comments?post=3390"}],"version-history":[{"count":0,"href":"https:\/\/www.drama-panorama.com\/cs\/wp-json\/wp\/v2\/posts\/3390\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.drama-panorama.com\/cs\/wp-json\/wp\/v2\/media\/3319"}],"wp:attachment":[{"href":"https:\/\/www.drama-panorama.com\/cs\/wp-json\/wp\/v2\/media?parent=3390"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.drama-panorama.com\/cs\/wp-json\/wp\/v2\/categories?post=3390"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.drama-panorama.com\/cs\/wp-json\/wp\/v2\/tags?post=3390"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}