{"id":2925,"date":"2016-06-07T09:18:50","date_gmt":"2016-06-07T07:18:50","guid":{"rendered":"https:\/\/www.drama-panorama.com\/cs\/?p=2925"},"modified":"2020-07-25T10:00:18","modified_gmt":"2020-07-25T08:00:18","slug":"kus-ceska-2016","status":"publish","type":"post","link":"https:\/\/www.drama-panorama.com\/cs\/2016\/06\/07\/kus-ceska-2016\/","title":{"rendered":"KUS: \u010cESKA 2016 – auto\u0159i a autorky"},"content":{"rendered":"

\u010cty\u0159i \u010de\u0161t\u00ed divadeln\u00ed auto\u0159i a autorky p\u0159ijedou na festival \u201eEin St\u00fcck: Tschechien 2016\/Kus: \u010ceska 2016\u201c<\/strong><\/p>\n

 \"tomas<\/strong><\/p>\n

Tom\u00e1\u0161 V\u016fjtek | Foto: Komorn\u00ed sc\u00e9na Ar\u00e9na<\/p>\n

Tom\u00e1\u0161 V\u016fjtek<\/strong> (nar. 1967) je \u010desk\u00fd dramatik, divadeln\u00ed dramaturg a p\u0159ekladatel. Vystudoval Pedagogickou fakultu v Ostrav\u011b a o rok pozd\u011bji zalo\u017eil s p\u0159\u00e1teli divadeln\u00ed soubor Ostravsk\u00e1 pohoda (n\u00e1zev byl m\u00edn\u011bn jako oxym\u00f3ron), se kter\u00fdm inscenoval sv\u00e9 prvn\u00ed vlastn\u00ed hry. Od konce 90. let autorsky spolupracuje s profesion\u00e1ln\u00edmi divadly po cel\u00e9 republice. V roce 2005 za\u010dal p\u016fsobit jako extern\u00ed dramaturg v Komorn\u00ed sc\u00e9n\u011b Ar\u00e9na, kde je od sezony 2007\/8 dramaturgem st\u00e1l\u00fdm.<\/p>\n

Jeho hry, \u010dasto vych\u00e1zej\u00edc\u00ed z historick\u00e9ho dokument\u00e1rn\u00edho materi\u00e1lu, kter\u00fd aktu\u00e1ln\u011b a s notnou d\u00e1vkou satirick\u00e9ho n\u00e1boje napojuj\u00ed na sou\u010dasnost, byly n\u011bkolikr\u00e1t ocen\u011bny v dramatick\u00e9 sout\u011b\u017ei Cen Alfr\u00e9da Radoka: hra S nad\u011bj\u00ed i bez n\u00ed<\/em><\/strong> (cena soute\u017ee 2009, uvedena v Komorn\u00ed sc\u00e9n\u011b Ar\u00e9na v Ostrav\u011b v lednu 2012) zpracov\u00e1v\u00e1 vzpom\u00ednky Josefy Sl\u00e1nsk\u00e9, man\u017eelky popraven\u00e9ho prvn\u00edho tajemn\u00edka KS\u010c, a hra Sly\u0161en\u00ed<\/em><\/strong> (cena sout\u011b\u017ee 2012, uvedeno tamt\u00e9\u017e 2014), hostuj\u00edc\u00ed na tomto festivalu, se zab\u00fdv\u00e1 fenom\u00e9nem Adolf Eichmann v lok\u00e1ln\u00edm ostravsk\u00e9m kontextu. Tyto hry V\u016fjtek spojil do trilogie, jej\u00ed\u017e t\u0159et\u00ed \u010d\u00e1st, Sm\u00ed\u0159en\u00ed<\/em><\/strong>, pojedn\u00e1v\u00e1 slovy autora \u201e o \u010ce\u0161\u00edch, kte\u0159\u00ed se sm\u00ed\u0159ili s t\u00edm, \u017ee po v\u00e1lce vyhnali N\u011bmce\u201c a jej\u00ed\u017e inscenaci p\u0159ipravuje rovn\u011b\u017e v Ostrav\u011b. V\u016fjtek pat\u0159\u00ed v \u010cech\u00e1ch v sou\u010dasnosti k nej\u017e\u00e1dan\u011bj\u0161\u00edm divadeln\u00edm autor\u016fm \u2013 v Plzni byla nap\u0159. vloni uvedena jeho historick\u00e1 humorn\u00e1 freska o zakladateli \u010desk\u00e9 automobilky \u0160KODA!<\/em><\/strong> V\u016fjtek p\u016fsob\u00ed tak\u00e9 jako p\u0159ekladatel poezie a dramatick\u00e9 tvorby z ru\u0161tiny a texta\u0159 n\u011bkolika hudebn\u00edch skupin.<\/p>\n

\"Rudcenkova_foto<\/p>\n

 <\/p>\n

Kate\u0159ina Rud\u010denkov\u00e1 | Foto: lidovky Jan Z\u00e1torsk\u00fd<\/p>\n

Kate\u0159ina Rud\u010denkov\u00e1 <\/strong>(nar. 1976) je \u010desk\u00e1 b\u00e1sn\u00ed\u0159ka, prozai\u010dka a dramati\u010dka. Absolvovala Konzervato\u0159 Jaroslava Je\u017eka (obor Tvorba p\u00eds\u0148ov\u00e9ho textu a sc\u00e9n\u00e1\u0159e) a provozn\u011b-ekonomickou fakultu \u010cesk\u00e9 zem\u011bd\u011blsk\u00e9 univerzity v Praze. Vydala \u010dty\u0159i b\u00e1snick\u00e9 sb\u00edrky Ludwig<\/em><\/strong> (1999), Nen\u00ed nutn\u00e9, abyste m\u011b nav\u0161t\u011bvoval<\/em><\/strong> (2001), Popel a slast<\/em><\/strong> (2004) a Ch\u016fze po dun\u00e1ch<\/em><\/strong> (2013), za ni\u017e obdr\u017eela cenu Magnesii Litera 2014 za poezii, kn\u00ed\u017eku pov\u00eddek Noci, noci<\/em><\/strong> (2004) a divadeln\u00ed hru Niekur<\/em><\/strong> (2007), za ni\u017e z\u00edskala Cenu Alfr\u00e9da Radoka 2006 a kterou v roce 2008 uvedlo pra\u017esk\u00e9 Divadlo Ungelt. Sc\u00e9nick\u00e9 \u010dten\u00ed hry \u010cas t\u0159e\u0161\u0148ov\u00e9ho d\u00fdmu<\/em><\/strong> p\u0159edstavilo v t\u00e9m\u017ee roce Immigrants\u00b4 Theatre v New Yorku. V roce 2003 obdr\u017eela n\u011bmeckou b\u00e1snickou Cenu Huberta Burdy. Roku 2007 absolvovala m\u011bs\u00ed\u010dn\u00ed reziden\u010dn\u00ed pobyt pro zahrani\u010dn\u00ed dramatiky v Royal Court Theatre v Lond\u00fdn\u011b. \u00da\u010dastnila se mnoha mezin\u00e1rodn\u00edch liter\u00e1rn\u00edch festival\u016f. Jej\u00ed p\u0159\u00edmo\u010dar\u00e9, smysln\u00e9 b\u00e1sn\u011b s \u010dast\u00fdmi autobiografick\u00fdmi konotacemi byly p\u0159elo\u017eeny do dvaceti jazyk\u016f, kni\u017en\u00ed v\u00fdbory z jej\u00ed poezie vy\u0161ly i v n\u011bm\u010din\u011b (\u2026nicht n\u00f6tig, mich zu besuchen<\/em><\/strong>, Klagenfurt: Wieser Verlag, 2002, ve dvojjazy\u010dn\u00e9m vyd\u00e1n\u00ed).<\/p>\n

rudcenkova.freehostia.com<\/a><\/p>\n

\"Eliasova<\/strong><\/p>\n

Helena Eli\u00e1\u0161ov\u00e1 | Foto: Archiv autorky<\/p>\n

Helena Eli\u00e1\u0161ov\u00e1 <\/strong>(nar. 1987) vystudovala dramaturgii na DAMU a medi\u00e1ln\u00ed studia na Karlov\u011b Univerzit\u011b v Praze. Od osmn\u00e1cti let se v\u011bnuje dramatick\u00e9 tvorb\u011b. Mezi nej\u010dast\u011bj\u0161\u00ed t\u00e9mata jej\u00edch her pat\u0159\u00ed problematika subkultur, hled\u00e1n\u00ed vlastn\u00ed identity, neschopnost za\u0159azen\u00ed se do spole\u010dnosti, destrukce a rozklad lidsk\u00fdch vztah\u016f, modern\u00ed technologie aj. V roce 2007 z\u00edskala za text Metal4ever<\/em><\/strong> ocen\u011bn\u00ed v dramatick\u00e9 sout\u011b\u017ei Zlat\u00e1 divadeln\u00ed \u017e\u00e1ba, reflektuj\u00edc\u00ed problematiku rovn\u00fdch p\u0159\u00edle\u017eitost\u00ed \u017een a mu\u017e\u016f. Hru uvedlo Divadlo Let\u00ed v r\u00e1mci cyklu 8@8. V prosinci 2010 uvedlo Divadlo Let\u00ed jej\u00ed hru Cyberlove<\/em><\/strong>, kter\u00e1 vznikla v r\u00e1mci projektu Centrum sou\u010dasn\u00e9 dramatiky. V dubnu 2012 m\u011bla v Pidivadle premi\u00e9ru jej\u00ed hudebn\u00ed komedie WE ARE THE TALENTS!<\/em><\/strong>. Za hry Hustler4U<\/em><\/strong> a P\u00e1tek o des\u00e1t\u00e9<\/em><\/strong> z\u00edskala Helena Eli\u00e1\u0161ov\u00e1 Cenu Evalda Schorma za rok 2009. Hra T\u00e9 noci<\/em><\/strong> z\u00edskala 3. m\u00edsto v sout\u011b\u017ei o nejlep\u0161\u00ed hru v \u010desk\u00e9m a slovensk\u00e9m jazyce DR\u00c1MA 2010. Jej\u00ed dramatick\u00e1 prvotina Tentazione<\/em><\/strong> z\u00edskala 1. m\u00edsto v sout\u011b\u017ei DR\u00c1MA 2012. V z\u00e1\u0159\u00ed 2013 prob\u011bhlo na N\u00e1kladov\u00e9m n\u00e1dra\u017e\u00ed \u017di\u017ekov sc\u00e9nick\u00e9 \u010dten\u00ed jej\u00ed hry N\u00e1dra\u017e\u00ed. Nikdy bych se nenarodil.<\/em><\/strong>, kter\u00e1 vznikla v r\u00e1mci letn\u00ed autorsk\u00e9 rezidence Centra sou\u010dasn\u00e9 dramatiky Divadla Let\u00ed. Pravideln\u011b spolupracuje s \u010cesk\u00fdch rozhlasem a p\u0159ekl\u00e1d\u00e1 z n\u011bm\u010diny. V dubnu 2016 uvedlo Divadlo Let\u00ed formou sc\u00e9nick\u00e9ho \u010dten\u00ed jej\u00ed hru Pou\u017eit\u00ed<\/em><\/strong>, kter\u00e1 vznikla jako d\u00e1rek pro divadlo k jeho 10. v\u00fdro\u010d\u00ed.<\/p>\n

\"Roman<\/p>\n

Roman Sikora | Foto: Archiv autora<\/p>\n

Roman Sikora <\/strong>(nar. 1970) je \u010desk\u00fd dramatik, novin\u00e1\u0159 a divadeln\u00ed kritik. Studoval re\u017eii a dramaturgii na Jan\u00e1\u010dkov\u011b akademii m\u00fazick\u00fdch um\u011bn\u00ed v Brn\u011b. Ve sv\u00fdch divadeln\u00edch hr\u00e1ch reaguje se sv\u00e9r\u00e1zn\u00fdm humorem na aktu\u00e1ln\u00ed spole\u010densko-politickou situaci a analyzuje mocensk\u00e9 struktury spole\u010dnosti pod\u0159\u00edzen\u00e9 tr\u017en\u00edmu dikt\u00e1tu. Za svou hru Smeten\u00ed Antigony<\/em><\/strong> obdr\u017eel roku 1998 Cenu Alfr\u00e9da Radoka  (prem. 2000, MU-Sz\u00ednh\u00e1z Budape\u0161\u0165). K jeho dal\u0161\u00edm hr\u00e1m pat\u0159\u00ed Sodomagomora!<\/em><\/strong> (prem. 1995, Studio Marta, Brno), Tank<\/em><\/strong> (prem. 1996, V\u00fdchodoslovensk\u00e9 divadlo, Ko\u0161ice), Vlci<\/em><\/strong> (prem. 1997, Divadlo Husa na prov\u00e1zku, Brno), Nehybnost<\/em><\/strong> (prem. 1998, Divadlo Promi\u0148te, Praha), Opory spole\u010dnosti<\/em><\/strong> (prem. 2000, Divadlo Na z\u00e1bradl\u00ed, Praha), Smrt talentovan\u00e9ho vep\u0159e<\/em><\/strong> (prem. 2008, divadlo Pol\u00e1rka, Brno). Jeho hry byly p\u0159elo\u017eeny do mnoha jazyk\u016f. Jeho hra Zpov\u011b\u010f masochisty<\/em><\/strong> m\u011bla 2011 \u010deskou premi\u00e9ru v Divadle Let\u00ed, kde pat\u0159ila roky k div\u00e1cky nej\u00fasp\u011b\u0161n\u011bj\u0161\u00edm inscenac\u00edm. Tato hra je v sou\u010dasnosti nejhran\u011bj\u0161\u00ed \u010deskou divadeln\u00ed hrou v zahrani\u010d\u00ed, v n\u011bm\u010din\u011b prob\u011bhlo jej\u00ed sc\u00e9nick\u00e9 \u010dten\u00ed v roce 2011 v r\u00e1mci festivalu St\u00fcckemarkt, pot\u00e9 byla hra dvakr\u00e1t inscenov\u00e1na (Konzerttheater Bern 2013, Theater Dortmund 2015), v Polsku je hra v sou\u010dasnosti na reperto\u00e1ru hned p\u011bti divadel. Svou hrou Poh\u0159b\u00edv\u00e1n\u00ed<\/em><\/strong> na sebe Sikora upoutal velkou medi\u00e1ln\u00ed pozornost, ve sv\u00e9 fiktivn\u00ed sc\u00e9nick\u00e9 \u201ereport\u00e1\u017ei\u201c referuje o poh\u0159bu b\u00fdval\u00e9ho prezidenta V\u00e1clava Klause (prem. 2012, Divadlo Feste, Brno). Hra T\u0159i dny aneb Sestup a vzestup pana B.<\/em><\/strong> (premi\u00e9ra v Divadle Let\u00ed 2014) je sv\u00fdm zp\u016fsobem pokra\u010dov\u00e1n\u00edm Sikorovy Zpov\u011bdi masochisty<\/em><\/strong> \u2013 op\u011btovn\u00e9 z\u00fa\u010dtov\u00e1n\u00ed s drsn\u00fdmi z\u00e1kony trhu. Spolu s Dodo Gomb\u00e1rem napsal Sikora funky muzik\u00e1l Polel\u00e1\u0159i<\/em><\/strong> (prem. ve \u0160vandov\u011b divadle 2015). Sikora dnes vyu\u010duje sc\u00e9nick\u00e9 psan\u00ed a divadeln\u00ed kritiku na Divadeln\u00ed fakult\u011b Akademie m\u00fazick\u00fdch um\u011bn\u00ed v Praze a je dramatick\u00fdm autorem na voln\u00e9 noze.<\/p>\n

 <\/p>\n

 <\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

\u010cty\u0159i \u010de\u0161t\u00ed divadeln\u00ed auto\u0159i a autorky p\u0159ijedou na festival \u201eEin St\u00fcck: Tschechien 2016\/Kus: \u010ceska 2016\u201c   Tom\u00e1\u0161 V\u016fjtek | Foto: Komorn\u00ed sc\u00e9na Ar\u00e9na Tom\u00e1\u0161 V\u016fjtek (nar. 1967) je \u010desk\u00fd dramatik, divadeln\u00ed dramaturg a p\u0159ekladatel. Vystudoval Pedagogickou fakultu v Ostrav\u011b a o rok pozd\u011bji zalo\u017eil s p\u0159\u00e1teli… Read more<\/a><\/p>\n","protected":false},"author":4,"featured_media":2894,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1803],"tags":[211,234,305,402,426,463,480,1797,1790,1791,838,1802,850,1801,1798,1134,1796,1792,1253,1298,1324,1799,1361,1795,1789,1545,1793],"class_list":["post-2925","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-udalost","tag-berlin","tag-bochert","tag-ceske-centrum","tag-divadlo","tag-drama-cs","tag-eberhard","tag-eliasova","tag-hannah","tag-helena","tag-katerina","tag-koehler","tag-komentar","tag-komorni","tag-leti","tag-ley","tag-ostrava","tag-rasche","tag-roman","tag-rudcenkova","tag-scena","tag-schnelle","tag-schroder","tag-sikora","tag-thea","tag-theater-unterm-dach","tag-tomas","tag-tomas-vujtek"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.drama-panorama.com\/cs\/wp-json\/wp\/v2\/posts\/2925","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.drama-panorama.com\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.drama-panorama.com\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.drama-panorama.com\/cs\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.drama-panorama.com\/cs\/wp-json\/wp\/v2\/comments?post=2925"}],"version-history":[{"count":2,"href":"https:\/\/www.drama-panorama.com\/cs\/wp-json\/wp\/v2\/posts\/2925\/revisions"}],"predecessor-version":[{"id":3822,"href":"https:\/\/www.drama-panorama.com\/cs\/wp-json\/wp\/v2\/posts\/2925\/revisions\/3822"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.drama-panorama.com\/cs\/wp-json\/wp\/v2\/media\/2894"}],"wp:attachment":[{"href":"https:\/\/www.drama-panorama.com\/cs\/wp-json\/wp\/v2\/media?parent=2925"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.drama-panorama.com\/cs\/wp-json\/wp\/v2\/categories?post=2925"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.drama-panorama.com\/cs\/wp-json\/wp\/v2\/tags?post=2925"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}