{"id":2709,"date":"2016-03-23T11:19:09","date_gmt":"2016-03-23T10:19:09","guid":{"rendered":"https:\/\/www.drama-panorama.com\/?p=2709&lang=cs"},"modified":"2016-06-15T11:22:55","modified_gmt":"2016-06-15T09:22:55","slug":"kus-ceska-2016-tiskova-zprava","status":"publish","type":"post","link":"https:\/\/www.drama-panorama.com\/cs\/2016\/03\/23\/kus-ceska-2016-tiskova-zprava\/","title":{"rendered":"KUS: \u010cESKA 2016 – Tiskov\u00e1 zpr\u00e1va"},"content":{"rendered":"

Tiskov\u00e1 zpr\u00e1va k festivalu<\/strong><\/p>\n

22. a 23. \u010dervna 2016, Berlin<\/strong><\/p>\n

\u010cesk\u00e9 sou\u010dasn\u00e9 hry budou hostovat v Berl\u00edn\u011b: Drama Panorama e. V. a \u010cesk\u00e9 centrum Berl\u00edn po\u0159\u00e1daj\u00ed dvoudenn\u00ed festival sou\u010dasn\u00e9 \u010desk\u00e9 dramatiky – Ein St\u00fcck: Tschechien 2016\/Kus: \u010ceska 2016.<\/strong><\/p>\n

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Tiskova zprava PDF<\/a><\/strong><\/p>\n

Po \u00fasp\u011b\u0161n\u00e9m pilotn\u00edm ro\u010dn\u00edku 2014 p\u0159edstavuje bien\u00e1ln\u00ed festival sou\u010dasn\u00e9 \u010desk\u00e9 dramatiky Ein St\u00fcck: Tschechien\/Kus: \u010ceska 2016<\/strong> v \u010dervnu op\u011bt aktu\u00e1ln\u00ed \u010desk\u00e9 divadeln\u00ed hry.<\/p>\n

V \u010cesk\u00e9 republice nyn\u00ed tvo\u0159\u00ed nov\u00e1 generace divadeln\u00edch autor\u016f, jejich\u017e texty jsou aktu\u00e1ln\u00ed v celoevropsk\u00e9m m\u011b\u0159\u00edtku, p\u0159esto v\u0161ak v zahrani\u010d\u00ed m\u00e1lo zn\u00e1m\u00e9. Berl\u00ednsk\u00fd spolek Drama Panorama: Forum f\u00fcr \u00dcbersetzung und Theater e. V.<\/strong>ve spolupr\u00e1ci s \u010cesk\u00fdm centrem Berl\u00edn<\/strong> hodl\u00e1 sv\u00fdm dvoudenn\u00edm festivalem p\u0159isp\u011bt k jejich propagaci.<\/p>\n

22. \u010dervna 2016 budou v galerii \u010cesk\u00e9ho centra Berl\u00edn p\u0159edstaveny t\u0159i sou\u010dasn\u00e9 \u010desk\u00e9 hry v n\u011bmeck\u00e9m p\u0159ekladu v podob\u011b sc\u00e9nick\u00e9ho \u010dten\u00ed, po nich\u017e prob\u011bhne div\u00e1ck\u00e1 diskuze s pozvan\u00fdmi autorkami a autorem. Druh\u00fd den festivalu, 23. \u010dervna 2016, hostuje v berl\u00ednsk\u00e9m divadle Theater unterm Dach \u010desk\u00e9 divadlo s inscenac\u00ed sou\u010dasn\u00e9 \u010desk\u00e9 hry, hraje se v origin\u00e1le s p\u0159etlumo\u010den\u00edm do sluch\u00e1tek.<\/p>\n

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V leto\u0161n\u00edm roce bude hostem sc\u00e9nick\u00fdch \u010dten\u00ed uzn\u00e1van\u00e1 a n\u011bkolikan\u00e1sobn\u011b ocen\u011bn\u00e1 (p\u0159edev\u0161\u00edm jedn\u00edm z nejvy\u0161\u0161\u00edch ocen\u011bn\u00ed v oblasti \u010desk\u00e9 literatury, cenou Magnesia Litera 2014) \u010desk\u00e1 b\u00e1sn\u00ed\u0159ka a dramati\u010dka Kate\u0159ina Rud\u010denkov\u00e1<\/strong>. Jej\u00ed hra Niekur<\/em> <\/strong>je \u201edramatickou b\u00e1sn\u00ed\u201c o milostn\u00e9m pom\u011bru mlad\u00e9 \u010desk\u00e9 liter\u00e1tky a star\u0161\u00edho, ji\u017e etablovan\u00e9ho litevsk\u00e9ho b\u00e1sn\u00edka b\u011bhem jejich reziden\u010dn\u00edho pobytu v N\u011bmecku. Hra je otev\u0159en\u011b inspirov\u00e1na \u201emluvenou operou\u201c Ernsta Jandla Z cizoty. N\u011bkolikajazy\u010dn\u00e1 a poeticky stylizovan\u00e1 hra z\u00edskala cenu Cenu Alfr\u00e9da Radoka.<\/p>\n

Jako dal\u0161\u00ed host sc\u00e9nick\u00fdch \u010dten\u00ed se se svou hrou Na cest\u011b k v\u00edt\u011bzstv\u00ed<\/strong><\/em> p\u0159edstav\u00ed v sou\u010dasnosti jeden z nejhran\u011bj\u0161\u00edch \u010desk\u00fdch dramatik\u016f v zahrani\u010d\u00ed Roman Sikora<\/strong>. Hra byla p\u016fvodn\u011b napsan\u00e1 pro \u0161t\u00fdrskohradeck\u00e9 divadlo Schauspielhaus Graz a zkoum\u00e1 ho\u0159ce satirick\u00fdm zp\u016fsobem mentalitu spole\u010dnosti uprost\u0159ed v\u00e1le\u010dn\u00e9 ma\u0161in\u00e9rie. Tonda a Alois, dva \u010de\u0161t\u00ed voj\u00e1ci Rakousko-uhersk\u00e9 arm\u00e1dy, cestuj\u00ed v noci vlakem na ukrajinskou frontu. Z\u00e1\u017eitky z v\u00e1lky a skryt\u00e9 touhy je bud\u00ed ze span\u00ed, jeden z nich pak vyt\u00e1hne hr\u016fzostra\u0161n\u00fd suven\u00fdr z Thalerhofu, nechvaln\u011b proslul\u00e9ho integra\u010dn\u00edho t\u00e1bora prvn\u00ed sv\u011btov\u00e9 v\u00e1lky. Sikora se programov\u011b hl\u00e1s\u00ed k politick\u00e9 dramatice, ve sv\u00fdch hr\u00e1ch odkr\u00fdv\u00e1 ironick\u00fdm zp\u016fsobem odlid\u0161t\u011bn\u00ed sou\u010dasn\u00e9 neoliber\u00e1ln\u00ed spole\u010dnosti. Jeho postavy hovo\u0159\u00ed form\u00e1ln\u011b stylizovan\u00fdm jazykem, kter\u00fd se vyzna\u010duje agramatick\u00fdmi staccatov\u00fdmi v\u011btami pln\u00fdmi redundanc\u00ed, repetic a p\u0159\u00edstavk\u016f. Sikora rozkl\u00e1d\u00e1 ka\u017edodenn\u00ed fr\u00e1ze a idiomy a zasazuje je do nov\u00fdch, ne\u010dekan\u00fdch kontext\u016f.<\/p>\n

Mlad\u00e1 \u010desk\u00e1 dramati\u010dka Helena Eli\u00e1\u0161ov\u00e1<\/strong>, nositelka Ceny Ewalda Schorma nebo ceny za nejlep\u0161\u00ed \u010desko-slovenskou dramatiku DR\u00c1MA 2010, bude p\u0159edstavena svou \u201eexistenci\u00e1ln\u00ed kyberkomedi\u00ed\u201c Cyberlove<\/strong><\/em>, kter\u00e1 tematizuje prol\u00edn\u00e1n\u00ed re\u00e1ln\u00e9ho a kybernetick\u00e9ho sv\u011bta. Hlavn\u00ed postava, po\u010d\u00edta\u010dov\u00fd maniak IT Honza Darin se u\u017e p\u011bt let bez\u00fasp\u011b\u0161n\u011b sna\u017e\u00ed vyvinout program, kter\u00fdm chce od z\u00e1klad\u016f zm\u011bnit sv\u011bt techniky. M\u00edsto celosv\u011btov\u00e9 sl\u00e1vy a milion\u016f na kont\u011b v\u0161ak za obrazovkou sv\u00e9ho milovan\u00e9ho po\u010d\u00edta\u010de jen pustne a tloustne. Kdy\u017e se mu poda\u0159\u00ed \u201eo\u017eivit\u201c po\u010d\u00edta\u010dovou pornohere\u010dku Dravou Bl\u00e1\u017eu, dostanou ud\u00e1losti ne\u010dekan\u00fd sp\u00e1d. Eli\u00e1\u0161ov\u00e1 se ji\u017e od sv\u00fdch osmn\u00e1cti let se v\u011bnuje dramatick\u00e9 tvorb\u011b. Mezi nej\u010dast\u011bj\u0161\u00ed t\u00e9mata jej\u00edch her pat\u0159\u00ed problematika subkultur, hled\u00e1n\u00ed vlastn\u00ed identity, neschopnost za\u0159azen\u00ed se do spole\u010dnosti, destrukce a rozklad lidsk\u00fdch vztah\u016f nebo modern\u00ed technologie.<\/p>\n

Leto\u0161n\u00ed hostuj\u00edc\u00ed inscenac\u00ed je Sly\u0161en\u00ed<\/strong><\/em>, n\u011bkolikan\u00e1sobn\u011b ocen\u011bn\u00e1 hra Tom\u00e1\u0161e V\u016fjtka <\/strong>v re\u017eii Ivana Krej\u010d\u00edho a v pod\u00e1n\u00ed souboru Komorn\u00ed sc\u00e9ny Ar\u00e9na z Ostravy.<\/p>\n

\u00dast\u0159edn\u00ed postavou V\u016fjtkovy hry je jeden z hlavn\u00edch str\u016fjc\u016f nacistick\u00e9ho \u201ekone\u010dn\u00e9ho \u0159e\u0161en\u00ed \u017eidovsk\u00e9 ot\u00e1zky\u201c Adolf Eichmann, kter\u00fd se do\u017eaduje sly\u0161en\u00ed p\u0159ed Bohem a na z\u00e1klad\u011b sv\u00fdch vzpom\u00ednek objas\u0148uje sv\u00e9 \u010diny. V\u016fjtek konfrontuje materi\u00e1ly z procesu s Eichmannem v Jeruzal\u00e9m\u011b (1961-1962) s rozhovory, kter\u00e9 vedl Eichmann v Argentin\u011b v \u017eovi\u00e1ln\u00edm t\u00f3nu s Willemem Sassenem (p\u0159i procesu nebyly tyto materi\u00e1ly dostate\u010dn\u011b zn\u00e1my a zohledn\u011bny). Eichmann\u016fv \u201ep\u0159\u00edb\u011bh\u201c autor zasazuje do lok\u00e1ln\u00edho \u010desk\u00e9ho prost\u0159ed\u00ed a konfrontuje jeho \u010diny s historick\u00fdm d\u011bn\u00edm na Ostravsku. Jednou z dal\u0161\u00edch postav je tak \u010desk\u00e1 \u017eena z lidu Vlasti\u010dka, kter\u00e1 se p\u0159izp\u016fsobuje v\u0161em re\u017eim\u016fm, v nich\u017e se j\u00ed da\u0159\u00ed \u00fasp\u011b\u0161n\u011b proplouvat a obohacovat se. V\u016fjtek vyu\u017e\u00edv\u00e1 t\u00e9matu k rozvinut\u00ed \u0159ady satirick\u00fdch moment\u016f \u2013 ve h\u0159e se objevuje nap\u0159. perzifl\u00e1\u017en\u00ed rekonstrukce konference ve Wannsee. Hra \u00fast\u00ed v sou\u010dasnosti a poukazuje na antisemitsk\u00e9 tendence dne\u0161ka.<\/p>\n

Re\u017eis\u00e9r Ivan Krej\u010d\u00ed tvo\u0159\u00ed s dramatikem V\u016fjtkem ji\u017e n\u011bkolik let \u00fasp\u011b\u0161nou tv\u016fr\u010d\u00ed dvojici. Hru Sly\u0161en\u00ed <\/strong><\/em>inscenuje citlivou metodou postupn\u00e9ho rozev\u00edr\u00e1n\u00ed dramatick\u00fdch situac\u00ed a gradace t\u011b\u017ei\u0161t\u011b pohybu sm\u011brem k div\u00e1kovi. Inscenaci dominuj\u00ed p\u0159esn\u011b stylizovan\u00e9 v\u00fdkony sehran\u00e9ho souboru, jemu\u017e v\u00e9vod\u00ed p\u0159edstavitel hlavn\u00ed role Marek Cisovsk\u00fd.<\/p>\n

Sly\u0161en\u00ed <\/strong><\/em>obdr\u017eelo v roce 2016 jako nejlep\u0161\u00ed inscenace roku Cenu divadeln\u00edch novin<\/strong>. Hned t\u0159i prvenstv\u00ed si letos rovn\u011b\u017e odneslo i z Cen divadeln\u00ed kritiky<\/strong> \u2013 za nejlep\u0161\u00ed inscenaci roku, nejlep\u0161\u00ed poprv\u00e9 uvedenou \u010deskou hru roku a nejlep\u0161\u00ed mu\u017esk\u00fd hereck\u00fd v\u00fdkon. V r\u00e1mci Cen divadeln\u00ed kritiky byla nav\u00edc Komorn\u00ed sc\u00e9na Ar\u00e9na zvolena Divadlem roku 2015!<\/p>\n

Festivalov\u00fd program<\/strong><\/p>\n

St\u0159eda, 22. \u010dervna 2016, 19:30 hod.<\/strong>
\n\u010cesk\u00e9 centrum Berl\u00edn, Wilhelmstra\u00dfe 44\/Eingang Mohrenstra\u00dfe, 10117 Berlin<\/p>\n

Kate\u0159ina Rud\u010denkov\u00e1: Niekur<\/em><\/strong> (p\u0159elo\u017eila Doris Kouba)<\/p>\n

Roman Sikora: Na cest\u011b k v\u00edt\u011bzstv\u00ed<\/em><\/strong> (n\u011bmecky Auf dem Weg zum Sieg<\/strong><\/em>, p\u0159elo\u017eila Barbora Schnelle)<\/p>\n

Helena Eli\u00e1\u0161ov\u00e1:<\/strong> Cyberlove <\/em><\/strong>(p\u0159elo\u017eila Doris Kouba)<\/p>\n

Sc\u00e9nick\u00e1 \u010dten\u00ed (\u010d\u00e1ste\u010dn\u011b zkr\u00e1cen\u00fdch verz\u00ed) divadeln\u00edch her s n\u00e1sleduj\u00edc\u00ed p\u00f3diovou diskuz\u00ed s autorkami a autorem her.<\/p>\n

Re\u017eijn\u00ed veden\u00ed: Eberhard K\u00f6hler<\/p>\n

Vstup voln\u00fd<\/p>\n

Na z\u00e1v\u011br ve\u010dera bude slavnostn\u011b p\u0159ed\u00e1na Cena publika festivalu<\/strong> spojen\u00e1 s reziden\u010dn\u00edm pobytem v\u00edt\u011bzn\u00e9 autorky\/autora v Berl\u00edn\u011b<\/p>\n

\u010ctvrtek, 23. \u010dervna 2016, 20:00 hod.<\/strong>
\nTheater unterm Dach, Danziger Stra\u00dfe 101, 10405 Berlin<\/p>\n

Slysen\u00ed<\/em><\/strong>
\nvon Tom\u00e1\u0161 V\u016fjtek<\/p>\n

Theater Komorn\u00ed sc\u00e9na Ar\u00e9na, Ostrava, Tschechische Republik
\nP\u0159elo\u017eil Mirko Kraetsch<\/p>\n

Re\u017eie: Ivan Krej\u010d\u00ed
\nSc\u00e9na: Milan David
\nKost\u00fdmy: Marta Roszkopfov\u00e1
\nHudba: Nikos Engonidis
\nDramaturgie: Tom\u00e1\u0161 V\u016fjtek
\nHraj\u00ed: Marek Cisovsk\u00fd, Alena Sas\u00ednov\u00e1-Polarczyk, Petr Panzenberger, \u0160imon Krupa a dal\u0161\u00ed.<\/p>\n

Po p\u0159edstaven\u00ed zveme na moderovanou diskuzi s autorem a re\u017eis\u00e9rem. Moderace: Barbora Schnelle.<\/p>\n

Vstupenky 12 \u20ac\/8 \u20ac. Rezervace p\u0159\u00edmo v divadle Theater unterm Dach na telefonu 030 \u2013 902 95 38 17<\/strong><\/p>\n

 <\/p>\n

Kr\u00e1tk\u00e1 informace o po\u0159adatel\u00edch:<\/p>\n

Drama Panorama: Forum f\u00fcr \u00dcbersetzung und Theater e. V.<\/strong> (F\u00f3rum pro p\u0159eklad a divadlo) propojuje pr\u00e1ci divadeln\u00edch p\u0159ekladatel\u016f a autor\u016f s praktick\u00fdm divadeln\u00edm provozem a po\u0159\u00e1d\u00e1 d\u00edlny, \u010dten\u00ed a tematick\u00e9 p\u00f3diov\u00e9 diskuze na t\u00e9ma mezin\u00e1rodn\u00ed divadeln\u00ed spolupr\u00e1ce.<\/p>\n

Od sv\u00e9ho zalo\u017een\u00ed se Drama Panorama soust\u0159ed\u00ed na prezentaci nov\u00fdch divadeln\u00edch her a metodiky divadeln\u00edho p\u0159ekladu prost\u0159ednictv\u00edm \u0159ady \u010dten\u00ed, p\u00f3diov\u00fdch diskuz\u00ed a d\u00edlen. Jedn\u00edm z c\u00edl\u016f Drama Panorama je p\u0159edstavit nov\u00e9 aktu\u00e1ln\u00ed cizojazy\u010dn\u00e9 hry v n\u011bmeck\u00e9m p\u0159ekladu. V minulosti tak byly uvedeny hry dramatik\u016f a dramati\u010dek jako Dorota Mas\u0142owska, Ma\u0142gorzata Sikorska-Miszczuk, Jolanta Janiczak (Polsko), Minja Bogavac, Filip Vujo\u0161evi\u0107 (Srbsko), Roman Sikora, Eva Prchalov\u00e1 (\u010cesk\u00e1 republika), Tarell Alvin McCraney, Thomas Bradshaw, Andrea Stolowitz (USA), Val\u00e8re Novarina, Simone Rist (Francie), Victor Hugo Rasc\u00f3n-Banda, David Olguin (Mexiko) nebo Gillermo Calder\u00f3n (Chile), mnoz\u00ed z autor\u016f a autorek se p\u0159\u00edmo \u00fa\u010dastnili diskuze a ve v\u0161ech p\u0159\u00edpadech se jednalo o prvn\u00ed n\u011bmeck\u00e9 uveden\u00ed jejich her.<\/p>\n

V dubnu 2010 se f\u00f3rum Drama Panorama \u00fa\u010dastnilo jako partner festival\u016f americk\u00e9 sou\u010dasn\u00e9 dramatiky Voices of Change<\/strong> v Bielefeldu a phoenix transatlantic<\/strong> v Berl\u00edn\u011b. 2011 p\u0159ipravil spolek Drama Panorama \u0159adu \u010dten\u00ed srbsk\u00e9 sou\u010dasn\u00e9 dramatiky pro Kni\u017en\u00ed veletrh v Lipsku. \u010cten\u00ed aktu\u00e1ln\u00edch mezin\u00e1rodn\u00edch her prob\u00edhaj\u00ed kontinu\u00e1ln\u011b v \u0159ad\u011b \u201eDivadeln\u00ed p\u0159eklad unplugged\u201c, kde mezin\u00e1rodn\u00ed p\u0159ekladatelky a p\u0159ekladatel\u00e9 prezentuj\u00ed prvn\u00ed verze sv\u00fdch p\u0159eklad\u016f aktu\u00e1ln\u00ed sv\u011btov\u00e9 dramatiky. Drama Panorama se rovn\u011b\u017e pod\u00edl\u00ed na po\u0159adech \u201eDivadeln\u00edch salon\u016f\u201c um\u011bleck\u00e9ho centra Kunstquartier Bethanien v Berl\u00edn\u011b-Kreuzbergu, kde formou \u010dten\u00ed prezentuje sou\u010dasn\u00e9 divadeln\u00ed autorky a autory spolu s jejich p\u0159ekladatelkami a p\u0159ekladateli. V \u010dervnu 2014 uspo\u0159\u00e1dal spolek Drama Panorama poprv\u00e9 festival \u010desk\u00e9ho sou\u010dasn\u00e9ho dramatu Kus: \u010ceska<\/strong>, na n\u011bj\u017e nav\u00e1zal reziden\u010dn\u00edm programem pro \u010desk\u00e9 dramati\u010dky a dramatiky, kte\u0159\u00ed z\u00edskali na festivalu cenu publika.<\/p>\n

\u010cesk\u00e9 centrum Berl\u00edn<\/strong> pat\u0159\u00ed k celosv\u011btov\u00e9 s\u00edti 22 \u010cesk\u00fdch center s centr\u00e1ln\u00ed spr\u00e1vou v Praze. \u010cesk\u00e1 centra jsou aktivn\u00edm zprost\u0159edkovatelem \u010cesk\u00e9 republiky, modern\u00ed a dynamick\u00e9 zem\u011b s dlouholetou kulturn\u00ed tradic\u00ed a velk\u00fdm kreativn\u00edm potenci\u00e1lem. \u010cesk\u00e9 centrum Berl\u00edn vede v Berl\u00edn\u011b a na severu a v\u00fdchod\u011b N\u011bmecka dialog s n\u011bmeckou ve\u0159ejnost\u00ed ji\u017e od roku 1993. Od z\u00e1\u0159\u00ed 2012 se \u010cesk\u00e9 centrum nach\u00e1z\u00ed v architektonicky v\u00fdjime\u010dn\u00e9 budov\u011b \u010cesk\u00e9ho velvyslanectv\u00ed v ulici Wilhelmstra\u00dfe 44. Jeho programov\u00e9 t\u011b\u017ei\u0161t\u011b tvo\u0159\u00ed sou\u010dasn\u00e9 um\u011bn\u00ed, v\u011bda a inovace, dokument\u00e1rn\u00ed film, literatura, hudba, design a architektura. \u010cesk\u00e9 centrum tak\u00e9 organizuje jazykov\u00e9 kurzy \u010de\u0161tiny na v\u0161ech \u00farovn\u00edch.<\/p>\n

Po\u0159adatel\u00e9:<\/span>
\nDrama Panorama: Forum f\u00fcr Theater und \u00dcbersetzung e. V.
\nwww.drama-panorama.com<\/a>
\nTschechisches Zentrum Berlin\/\u010cesk\u00e9 centrum Berl\u00edn
\nberlin.czechcentres.cz<\/a><\/p>\n

Ve spolupr\u00e1ci s divadlem Komorn\u00ed sc\u00e9na Ar\u00e9na, Ostrava<\/p>\n

Veden\u00ed festivalu\/dramaturgie\/produkce:<\/span>
\nBarbora Schnelle und Henning Bochert<\/p>\n

Festival podpo\u0159ily n\u00e1sleduj\u00edc\u00ed instituce:<\/span>
\n\u010cesko-n\u011bmeck\u00fd fond budoucnosti
\nMinisterstvo kultury \u010cesk\u00e9 republiky
\nStatut\u00e1rn\u00ed m\u011bsto Ostrava
\nInstitut um\u011bn\u00ed \u2013 Divadeln\u00ed \u00fastav
\nDilia o.s.
\nTheater unterm Dach, Berlin<\/p>\n

V\u00edce informac\u00ed na: www.drama-panorama.com<\/a>
\nKontakt: info@drama-panorama.com info@drama-panorama.com<\/a><\/p>\n

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Tiskov\u00e1 zpr\u00e1va ze dne 15.06.2016<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Tiskov\u00e1 zpr\u00e1va k festivalu 22. a 23. \u010dervna 2016, Berlin \u010cesk\u00e9 sou\u010dasn\u00e9 hry budou hostovat v Berl\u00edn\u011b: Drama Panorama e. V. a \u010cesk\u00e9 centrum Berl\u00edn po\u0159\u00e1daj\u00ed dvoudenn\u00ed festival sou\u010dasn\u00e9 \u010desk\u00e9 dramatiky – Ein St\u00fcck: Tschechien 2016\/Kus: \u010ceska 2016.<\/p>\n","protected":false},"author":4,"featured_media":2894,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[141,173,234,279,297,305,306,307,308,331,352,356,378,402,418,426,433,445,463,480,535,547,706,730,768,832,838,850,866,873,892,959,1030,1036,1050,1134,1145,1155,1160,1198,1199,1200,1253,1298,1361,1378,1545,1690,1701],"class_list":["post-2709","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-obecne","tag-autori","tag-barbora-schnelle-cs","tag-bochert","tag-budoucnosti","tag-centrum","tag-ceske-centrum","tag-cesko","tag-cesky","tag-cesta","tag-cisovsky","tag-cteni","tag-cyberlove","tag-david","tag-divadlo","tag-doris-kouba-cs","tag-drama-cs","tag-drama-panorama-cs","tag-dramatika","tag-eberhard","tag-eliasova","tag-festival-cs","tag-fond","tag-henning-bochert-cs","tag-hra","tag-ivan","tag-kocmanova","tag-koehler","tag-komorni","tag-kraetsch","tag-krejci","tag-krupa","tag-marek","tag-mezinarodni","tag-milan","tag-mirko","tag-ostrava","tag-panzenberger","tag-petr","tag-petra","tag-preklad","tag-prekladani","tag-prekladatele","tag-rudcenkova","tag-scena","tag-sikora","tag-simon","tag-tomas","tag-vitezstvi","tag-vujtek"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.drama-panorama.com\/cs\/wp-json\/wp\/v2\/posts\/2709","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.drama-panorama.com\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.drama-panorama.com\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.drama-panorama.com\/cs\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.drama-panorama.com\/cs\/wp-json\/wp\/v2\/comments?post=2709"}],"version-history":[{"count":0,"href":"https:\/\/www.drama-panorama.com\/cs\/wp-json\/wp\/v2\/posts\/2709\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.drama-panorama.com\/cs\/wp-json\/wp\/v2\/media\/2894"}],"wp:attachment":[{"href":"https:\/\/www.drama-panorama.com\/cs\/wp-json\/wp\/v2\/media?parent=2709"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.drama-panorama.com\/cs\/wp-json\/wp\/v2\/categories?post=2709"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.drama-panorama.com\/cs\/wp-json\/wp\/v2\/tags?post=2709"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}