{"id":1383,"date":"2015-04-23T09:46:37","date_gmt":"2015-04-23T07:46:37","guid":{"rendered":"https:\/\/www.drama-panorama.com\/?p=1383"},"modified":"2016-09-22T08:01:58","modified_gmt":"2016-09-22T06:01:58","slug":"1383","status":"publish","type":"post","link":"https:\/\/www.drama-panorama.com\/cs\/2015\/04\/23\/1383\/","title":{"rendered":"KUS: \u010cESKA 2016 &#8211; p\u0159ijede ostravsk\u00e1 Ar\u00e9na!"},"content":{"rendered":"<p><a href=\"http:\/\/www.divadloarena.cz\/\">Komorn\u00ed sc\u00e9na Ar\u00e9na<\/a> z Ostravy je pozv\u00e1na jako host festivalu EIN ST\u00dcCK: TSCHECHIEN\/KUS: \u010cESKA 2016 se svou inscenac\u00ed hry Tom\u00e1\u0161e\u00a0V\u016fjtka <a title=\"SLY\u0160EN\u00cd \" href=\"http:\/\/www.divadloarena.cz\/repertoar\/slyseni\" target=\"_blank\">SLY\u0160EN\u00cd<\/a> v re\u017eii Ivana Krej\u010d\u00edho (prem. 28. 2. 2015).<\/p>\n<p><a href=\"http:\/\/www.divadloarena.cz\/repertoar\/slyseni\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-1387\" src=\"https:\/\/www.drama-panorama.com\/wp-content\/uploads\/2015\/04\/SLYSENI_plakat-212x300.jpg\" alt=\"SLYSENI_plakat\" width=\"212\" height=\"300\" \/><\/a><\/p>\n<p>\u00dast\u0159edn\u00ed postavou V\u016fjtkovy hry je jeden z hlavn\u00edch str\u016fjc\u016f nacistick\u00e9ho \u201ekone\u010dn\u00e9ho \u0159e\u0161en\u00ed \u017eidovsk\u00e9 ot\u00e1zky\u201c Adolf Eichmann, kter\u00fd se do\u017eaduje sly\u0161en\u00ed p\u0159ed Bohem a na z\u00e1klad\u011b sv\u00fdch vzpom\u00ednek objas\u0148uje sv\u00e9 \u010diny. V\u016fjtek konfrontuje materi\u00e1ly z procesu s Eichmannem v Jeruzal\u00e9m\u011b (1961-1962) s rozhovory, kter\u00e9 vedl Eichmann v Argentin\u011b v \u017eovi\u00e1ln\u00edm t\u00f3nu s Willemem Sassenem (p\u0159i procesu nebyly tyto materi\u00e1ly dostate\u010dn\u011b zn\u00e1my a zohledn\u011bny). Eichmann\u016fv \u201ep\u0159\u00edb\u011bh\u201c autor zasazuje do lok\u00e1ln\u00edho \u010desk\u00e9ho prost\u0159ed\u00ed a konfrontuje jeho \u010diny s historick\u00fdm d\u011bn\u00edm na Ostravsku. Jednou z dal\u0161\u00edch postav je tak \u010desk\u00e1 \u017eena z lidu Vlasti\u010dka, kter\u00e1 se p\u0159izp\u016fsobuje v\u0161em re\u017eim\u016fm, v nich\u017e se j\u00ed da\u0159\u00ed \u00fasp\u011b\u0161n\u011b proplouvat a obohacovat se. V\u016fjtek vyu\u017e\u00edv\u00e1 t\u00e9matu k rozvinut\u00ed \u0159ady satirick\u00fdch moment\u016f &#8211; ve h\u0159e se objevuje nap\u0159. perzifl\u00e1\u017en\u00ed rekonstrukce konference ve Wannsee. Hra \u00fast\u00ed v sou\u010dasnosti a poukazuje na antisemitsk\u00e9 tendence dne\u0161ka.<\/p>\n<p>Re\u017eis\u00e9r Ivan Krej\u010d\u00ed tvo\u0159\u00ed s dramatikem V\u016fjtkem ji\u017e n\u011bkolik let \u00fasp\u011b\u0161nou tv\u016fr\u010d\u00ed dvojici. Hru Sly\u0161en\u00ed inscenuje citlivou metodou postupn\u00e9ho rozev\u00edr\u00e1n\u00ed dramatick\u00fdch situac\u00ed a gradace t\u011b\u017ei\u0161t\u011b pohybu sm\u011brem k div\u00e1kovi. Inscenaci dominuj\u00ed p\u0159esn\u011b stylizovan\u00e9 v\u00fdkony sehran\u00e9ho souboru, jemu\u017e v\u00e9vod\u00ed p\u0159edstavitel hlavn\u00ed role Marek Cisovsk\u00fd.<\/p>\n<p>Jako dramaturgyn\u011b festivalu jsem tuto inscenaci v Ostrav\u011b shl\u00e9dla v sobotu 11. 4.<\/p>\n<p>Barbora Schnelle<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Komorn\u00ed sc\u00e9na Ar\u00e9na z Ostravy je pozv\u00e1na jako host festivalu EIN ST\u00dcCK: TSCHECHIEN\/KUS: \u010cESKA 2016 se svou inscenac\u00ed hry Tom\u00e1\u0161e\u00a0V\u016fjtka SLY\u0160EN\u00cd v re\u017eii Ivana Krej\u010d\u00edho (prem. 28. 2. 2015). \u00dast\u0159edn\u00ed postavou V\u016fjtkovy hry je jeden z hlavn\u00edch str\u016fjc\u016f nacistick\u00e9ho \u201ekone\u010dn\u00e9ho \u0159e\u0161en\u00ed \u017eidovsk\u00e9 ot\u00e1zky\u201c Adolf Eichmann,&hellip; <a class=\"read-more\" href=\"https:\/\/www.drama-panorama.com\/cs\/2015\/04\/23\/1383\/\">Read more<\/a><\/p>\n","protected":false},"author":4,"featured_media":2902,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1800],"tags":[169,234,279,304,305,1785,402,426,433,479,535,698,773,866,1134,1298,1324,1397,1789,1545,1793,1701],"class_list":["post-1383","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-komentar","tag-barbora","tag-bochert","tag-budoucnosti","tag-ceske","tag-ceske-centrum","tag-ceske-divadlo","tag-divadlo","tag-drama-cs","tag-drama-panorama-cs","tag-eichmann","tag-festival-cs","tag-henning","tag-ivan-krejci","tag-kraetsch","tag-ostrava","tag-scena","tag-schnelle","tag-slyseni","tag-theater-unterm-dach","tag-tomas","tag-tomas-vujtek","tag-vujtek"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.drama-panorama.com\/cs\/wp-json\/wp\/v2\/posts\/1383","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.drama-panorama.com\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.drama-panorama.com\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.drama-panorama.com\/cs\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.drama-panorama.com\/cs\/wp-json\/wp\/v2\/comments?post=1383"}],"version-history":[{"count":0,"href":"https:\/\/www.drama-panorama.com\/cs\/wp-json\/wp\/v2\/posts\/1383\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.drama-panorama.com\/cs\/wp-json\/wp\/v2\/media\/2902"}],"wp:attachment":[{"href":"https:\/\/www.drama-panorama.com\/cs\/wp-json\/wp\/v2\/media?parent=1383"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.drama-panorama.com\/cs\/wp-json\/wp\/v2\/categories?post=1383"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.drama-panorama.com\/cs\/wp-json\/wp\/v2\/tags?post=1383"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}